Archive
1984

IDPS : Miquel Mora
Image from Miquel Mora’s website

We’ve looked before at a number of technologies and products aimed at ‘preventing’ photography and image recording in some way, from censoring photographs of ‘copyrighted content’ and banknotes, to Georgia Tech’s CCD-flooding system.

Usually these systems are about locking out the public, or removing freedoms in some way (a lot of organisations seem to fear photography), but a few ‘fightback’ devices have been produced, aiming to empower the individual against others (e.g. Hewlett-Packard’s ‘paparazzi-proof’ camera) or against authority (e.g. the Backflash system intended to render a car number plate unreadable when photographed by a speed camera). The field of sousveillance – lots of interesting articles by Régine Debatty here – is also a ‘fightback’ in a parallel vein.

Taking the fightback idea further, into the realms of everyware, Miquel Mora’s IDentity Protection System, shown last month at the RCA’s Great Exhibition (many thanks to Katrin Svabo Bech for the tip-off), aims to offer the individual a way to control how his or her image is recorded – again, Régine from We Make Money Not Art:

With IDPS (IDentity Protection System), interaction designer Miquel Mora is proposing a new way to protect our visual identity from the invasion of ubiquitous surveillance cameras. He had a heap of green stickers that could stick to your jacket. Or anywhere else. The sticker blurred your image on the video screen.

“With the IDPS project I wanted to sparkle [sic.] debate about all the issues related to identity privacy,” explains Miquel. “Make people think about how our society has become a complete surveillance machine. Our identities have already been stored as data in many servers ready to be tracked. And our self image is our last resort. So we really need tools to protect our privacy. We need tools that can allow us to hide or reveal our visual image. We must have the control over it.”

“For example in one scenario a girl is wearing a tooth jewellery with IDPS technology embedded. So when she smiles she reveals it and it triggers the camera to protect her. With IDPS users can always feel comfortable, knowing that with a simple gesture like smiling, they are in control. The IDPS technology could be embedded in all kind of items, from simple badges to clothes or jewellery. For the working prototype I’m using Processing to track the stickers and pixelate the image around when it founds one.”

IDPS : Miquel Mora
Image from Miquel Mora’s website

While the use of stickers or similar tags (why not RFID?) which can be embedded in items such as jewellery is a very neat idea aesthetically, I am not sure what economic/legal incentive would drive CCTV operators or manufacturers to include something such as IDPS in their systems and respect the wishes of users. CCTV operators generally do not want anyone to be able to exclude him or herself from being monitored and recorded, whether that’s by wearing a hoodie or a smart black hat with maroon ribbon. Or indeed a veil of some kind.

Something which actively fought back against unwanted CCTV or other surveillance intrusion, such as reversing the Georgia Tech system in some way (e.g. detecting the CCD of a digital security camera, and sending a laser to blind it temporarily, or perhaps some kind of UV strobe) would perhaps be more likely to ‘succeed’, although I’m not sure how legal it would be. Still, with RCA-quality interaction designers homing in on these kinds of issues, I think we’re going to see some very interesting concepts and solutions in the years ahead…

Read More

A European airport

Swedish creativity lecturer Fredrik Härén mentions an interesting architecture of control anecdote in his The Idea Book:

One of the cafés in an international European airport was often full. The problem was that people sat nursing their coffees for a long time as they waited for their planes to depart. The café asked itself: How can we encourage our customers to vacate the tables more quickly?

Their first ideas were probably along the lines of uncomfortable chairs, a seat charge, clear the tables immediately and so forth. However, the idea they finally decided upon was this: to turn off the flight monitors in the café! This made people worry about missing their flights, which led to them looking for monitors that worked, thus leaving empty tables. When the café had enough empty tables, the flight monitors suddenly started working again to attract new customers.

Creating worry in the customers’ minds would certainly seem to be effective – perhaps more effective than simply deliberately uncomfortable seating, which we’ve come across a number of times before. But is it really a sensible tactic? Won’t those customers, if they use the airport again, consciously avoid “that café where we nearly missed out flight last time because they turned the monitors off”? Has it occurred to the café operators that, perhaps, their customers value sitting down to ‘nurse’ their coffees as part of the coffee-drinking experience?

Härén doesn’t comment on this ‘contempt for the customer’ issue directly, but he does go on to suggest more positive ways of addressing the ‘problem’:

Formulating a question in different ways can help you look at a problem from different angles. In the case above, for example, you can find new angles by putting the question in another way: How can we sell more? So, instead of finding solutions to the problem of getting people to vacate the tables more quickly, you can also come up with solutions such as set up a take-away stand so that people can have a snack or drink by the departure gates, or sell picnic bags that passengers can take onto the planes with them and so on.

Are there other ‘built environment’ examples of deliberately creating worry to force certain behaviour onto users? What about product design?

Of course, much pharmaceutical (and anti-virus software) marketing and government security/crime propaganda through the ages has taken this line (it’s almost expected), but physical examples seem rarer.

Read More

'V' sign and hand in Englefield Green, Surrey

Crosbie Fitch, in the Atom feed summary for this post looking at how ‘freedom’ can and should be defined, says:

You see copyright’s suspension of your freedom to perform particular activities, and so for each activity you demand a specific freedom. This is how the GPL arose.
This is an inverted perspective from which to define ‘free culture’ (and free software).
To define freedom you define its constraints – you do not enumerate the freedoms you want.
This is because freedom is what we start off with in the first place. We constrain it to make it better. It is when we under or over-constrain it that we make it worse.

It’s the “To define freedom you define its constraints – you do not enumerate the freedoms you want” which especially stands out to me. This seems such an important principle, yet one which so many politicians entirely ignore when they talk about their commitments to ‘human rights’.

Am I being overly simplistic to equate this to the contrast between a ‘planned’ society – where everything is banned unless specifically permitted in an enumerated list of freedoms – and an ‘evolving’ society – where everything is permitted unless specifically banned? (Also: how does the contrast between codified Roman law and ‘evolving’ common law compare to this?)

Whatever the political and legal comparisons might be, the principle is certainly pertinent to the rise of architectures of control in technology. Up until just a few years ago, most technology was effectively ‘open’, assuming you could get hold of it. All of us had freedom to do what we wanted with it – take it apart, modify it, repurpose it, improve it, break it, even if the originators had never expressly intended anything like this, and even if it were ‘illegal’. Now, though, we have (some) technology into which intentions can be codified. We have products with hyper-restrictive End-User Licence Agreements which we must accept before we use them, and which can report back if we don’t abide by them. We have products which are intended to provide one-function-and-nothing-but-that-function, and are designed to frustrate or punish users who try anything different. We have politicians seeking to specify exactly what technology can and can’t do. How do I know what freedoms I want until I’ve experimented? How can I even explain them until I’ve experienced them? Should the progress of tomorrow really be shackled by registering as law the prejudices and errors of today?

Of course, in the context of this blog, I’m merely striking the key-note once again, and that can make for a very dull tune. But that phrase, “you do not enumerate the freedoms you want,” will stay with me. It’s important.

Read More

Thanks to Mr Person at Text Savvy, I’ve just learned that this blog is blocked in China:




Images from the Great Firewall of China test.

I don’t know if that’s good or bad. From a censorship point of view, it’s bad, but it’s certainly interesting to be able to say that the blog’s blocked in China, even if it’s just for a rather prosaic reason (using WordPress?) as Mr Person suggests, and not the incendiary demagoguery contained within these posts and comments.

(Additionally interesting is that as the whole of danlockton.co.uk seems to be blocked, I might not have any more of my portfolio items appearing on Chinese design sites. One site even had me listed alongside Karim Rashid for a while, which was odd and flattering, perhaps, though I don’t think he’ll be losing sleep over it!)

Read More

Some links. Guess what vehicle this is.

First, an apology for anyone who’s had problems with the RSS/Atom feeds over the last month or so. I think they’re fixed now (certainly Bloglines has started picking them up again) but please let me know if you don’t read this. Oops, that won’t work… anyway:

  • ‘Gadgets as Tyrants’ by Xeni Jardin, looks at digital architectures of control in the context of the 2007 Consumer Electronics Show in Las Vegas :

    Many of the tens of thousands of products displayed last week on the Vegas expo floor, as attractive and innovative as they are, are designed to restrict our use… Even children are bothered by the increasing restrictions. One electronics show attendee told me his 12-year-old recently asked him, “Why do I have to buy my favorite game five times?” Because the company that made the game wants to profit from each device the user plays it on: Wii, Xbox, PlayStation, Game Boy or phone.

    At this year’s show, the president of the Consumer Electronics Association, Gary Shapiro, spoke up for “digital freedom,” arguing that tech companies shouldn’t need Hollywood’s permission when they design a new product.

  • The Consumerist – showing a 1981 Walmart advert for a twin cassette deck – comments that “Copying music wasn’t always so taboo”.

    I’m not sure it is now, either.

  • George Preston very kindly reminds me of the excellent Trusted Computing FAQ by Ross Anderson, a fantastic exposition of the arguments. For more on Vista’s ‘trusted’ computing issues, Peter Guttmann has some very clear explanations of how shocking far we are from anything sensible. See also Richard Stallman’s ‘Right to Read’.
  • David Rickerson equally kindly sends me details of a modern Panopticon prison recently built in Colorado – quite impressive in a way:

    Image from Correctional News

    …Architects hit a snag when they realized too much visibility could create problems.

    “We’ve got lots of windows looking in, but the drawback is that inmates can look from one unit to another through the windows at the central core area of the ward,” Gulliksen says. “That’s a big deal. You don’t want inmates to see other inmates across the hall with gang affiliations and things like that.”

    To minimize unwanted visibility, the design team applied a reflective film to all the windows facing the wards. Deputies can see out, but inmates cannot see in. Much like the 18th-century Panopticon, the El Paso County jail design keeps inmates from seeing who is watching them.

    Image from Correctional News website

  • Should the iPhone be more open?

    As Jason Devitt says, stopping users installing non-Apple (or Apple-approved) software means that the cost of sending messages goes from (potentially) zero, to $5,000 per megabyte:

    Steve typed “Sounds great. See you there.” 28 characters, 28 bytes. Call it 30. What does it cost to transmit 30 bytes?

    * iChat on my Macbook: zero.
    * iChat running on an iPhone using WiFi: zero.
    * iChat running on an iPhone using Cingular’s GPRS/EDGE data network: 6 hundredths of a penny.
    * Steve’s ‘cool new text messaging app’ on an iPhone: 15c.

    A nickel and a dime.

    15c for 30 bytes = $0.15 X 1,000,000 / 30 = $5,000 per megabyte.

    “Yes, but it isn’t really $5,000,” you say. It is if you are Cingular, and you handle a few billion messages like this each quarter.

    … [I] assumed that I would be able to install iChat myself. Or better still Adium, which supports AIM, MSN, ICQ, and Jabber. But I will not be able to do that because … it will not be possible to install applications on the iPhone without the approval of Cingular and Apple… But as a consumer, I have a choice. And for now the ability to install any application that I want leaves phones powered by Windows Mobile, Symbian, Linux, RIM, and Palm OS with some major advantages over the iPhone.

    Aside from the price discrimination (and business model) issue (see also Control & Networks), one thing that strikes me about a phone with a flat touch screen is simply how much less haptic feedback the user gets.

    I know people who can text competently without looking at the screen, or indeed the phone at all. They rely on the feel of the buttons, the pattern of raised and lowered areas and the sensation as the button is pressed, to know whether or not the character has actually been entered, and which character it was (based on how many times the button is pressed). I would imagine they would be rather slow with the iPhone.

  • Read More

    The figure of the Martian devil looms over London: from Quatermass & The Pit, 1958
    The figure of a Martian devil looms over London*: from Quatermass & The Pit, 1958, written by the late Nigel Kneale

    A couple of years ago, after seeing a programme by Jon Ronson, I was reading about the First Earth Battalion and came across a link to an apparently real document, Nonlethal Weapons: Terms and References, edited by Robert J Bunker of the Institute for National Security Studies at the USAF Academy, Colorado. It’s available on the Memory Hole, here.

    Amid the various physical, physiological and psychological techniques described (some of which I’ll be looking at in later posts, as they’re pertinent to architectures of control), one section especially stood out – from page 15 of the document:

    K. Holograms. Hologram, Death: Hologram used to scare a target individual to death. Example, a drug lord with a weak heart sees the ghost of his dead rival appearing at his bedside and dies of fright. Hologram, Prophet: The projection of the image of an ancient god over an enemy capitol whose public communications have been seized and used against it in a massive psychological operation. Hologram, Soldier-forces: The projection of soldier-force images which make an opponent think more allied forces exist than actually do, make an opponent believe that allied forces are located in a region where none actually exist, and /or provide false targets for his weapons to fire upon. New concept developed in this document.

    Now, these are interesting techniques. I don’t know if ‘hologram’ is being used in the right way here, since these sound like simple projections, e.g. onto clouds (or maybe, in the case of the ‘ghost’ appearing next to the drug lord’s bedside, some kind of volumetric display). And whether such projections would really work in terms of scaring or misleading the enemy – who knows?

    Have they ever actually been used? Dummy tanks are a well-known way of deceiving an enemy, but would people be taken in by a “projection of the image of an ancient god”? How would they know that what they were seeing was the “ancient god”? If the image used were such a common representation that it was instantly recognisable, wouldn’t it seem obviously fake? Or would any giant figure looming over a city scare people sufficiently, whether or not they realised what it was supposed to represent? (It’s been suggested that the Angels of Mons, if they existed, may have been “images of angels that the Germans had projected onto the clouds at the outbreak of the battle in order to try and scare the troops on the opposite side…But apparently this idea had backfired, in that the troops had seen these images and believed them to be St George, Joan of Arc, actually leading them against the Germans.”)

    The projection of “soldier-force images” has more credibility. Odd atmospheric effects seem to be the explanation behind the various reflected “cities in the sky” that have occasionally been seen: taking this further, it is surely possible to create a mirage-like effect of a massed army to intimidate an enemy.

    So, outside of the military context, is there potential for this kind of false image to be used to manipulate and control the public? Not obviously, perhaps, but as the police in many countries become increasingly militarised in outlook (particularly in “security” situations), would the tactic of projecting images of massed officers (maybe with riot shields covering their faces, to make extensive detail less necessary) be considered? Cardboard cutout police cars are occasionally used to scare motorists, as are fake speed cameras (often placed by members of the public) and, of course, fake CCTV cameras.

    It also makes me wonder what the legality is of members of the public projecting images onto buildings, clouds, etc. Much of this so far has been done for promotional reasons – e.g. FHM‘s projection of Gail Porter onto the Houses of Parliament – or a technology college in Surrey, the day after A-level results:

    “While projection on to a building is not illegal as such, you will be asked to move on by the police because laser projection is viewed as a distraction to drivers and hence a hazard,” says Dominic Bean, formerly head of marketing and business Development at NESCOT. He used projections to promote North East Surrey College of Technology and found that the response from the authorities was far from harsh. “Policemen on Epsom Downs (ten miles away from the projection site) spotted our projection on to Tolworth Towers – near the A3 in Surrey,” says Bean. “It took them nearly 50 minutes to drive over and ask for the image to be removed. They were amazed to see it, and saw the ‘fun’ side.

    Guerrilla ‘photon bombing’ or ‘projection bombing’ clearly has a lot of potential for allowing members of the public, activists and counterculture groups to promote their messages, but so far doesn’t appear to have been used for truly subversive ends on a large scale. There is some very clever work going on in this field, such as Troika’s SMS Guerilla Projector, but imagine a politician’s press conference where giant images of his opponent or opposing slogans are projected behind him, or a televised sports event where logos of the sponsor’s rivals are projected (by someone in the crowd) onto the faces of players being shown in close-up. It may have already happened; if not, it won’t be long before it does.

    Read More

    @danlockton

    Upcoming talks & events

    I'm speaking or running workshops at:

    Some of my previous presentations

    Comments & trackbacks

    • Dan: Thanks so much Sebastian – that’s a much more detailed review than anything based on this is ever...
    • Putting people first: Read article Tweet Leave a Reply
    • Sebastian Deterding: Hi Dan, if this is the outcome of your Dublin workshop, I should definitely have attended it...
    • Sebastian Deterding: Great to see Johannes Zachrisson is moving forward :) .

    Blog 2005-date