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This is brilliant. Chloë Coulson, Erland Banggren and Ben Williams, three Ravensbourne graduates, have put together a project looking at the “culture of fear”, the media’s use of this, and how it affects our everyday state of mind.

The outcome is a catalogue, WellBeings™ [PDF link] accompanying a specially printed newspaper, The Messenger, designed to be used with special rose-tinted spectacles – simple, yet very clever:

Feeling brave? Read the paper as usual. Feeling fragile? Put on the rose-tinted spectacles to block out the bad news stories which are printed in the same hue as the lenses so it becomes invisible.

The products in the catalogue cater for people made increasingly paranoid by aspects of modern society, by ‘normalising’ paranoia – ranging from H-ear-Phones which allow you to hear what others are saying about you, to Rear-View Mirror spectacles to allow you to keep an eye on who might be following you. As Chloë puts it:

The whole project is about questioning attitudes – should we live in fear – are we safer that way, or should we live for now and not worry about what could happen.

There are also a couple of products in there which are actually defensive weapons – a pepper spray disguised as a perfume atomiser, and house-key-cum-knuckleduster, and these seem to go beyond mere paranoia. All of these products are very plausible, and indeed, some of them are probably commercially viable. Whilst none of these is an architecture of control as such, I felt that they deserved inclusion here – pertinent to the sousveillance discussion, and also the idea of users turning products against instrusive aspects of society, from relatively simple items such as the Knee Defender (prevent the person in front of you on an aircraft reclining his or her seat) to Limor Fried’s Design Noir work on using electronic devices to create social defence mechanisms.

Equally – while perhaps not the focus of the project – the rose-tinted spectacles idea parallels closely the phenomenon of increasing self-selection of the news we expose ourselves to, as the internet and hundreds of TV channels allow segmentation like never before. The idea of a newspaper bringing readers only ‘good’ news has been tried a number of times (a recent example one-off) and has inspired some interesting pieces, but modern media permits many more coloured filters than simply rose-tinting. Clearly, to a large extent, deliberate use of this segmentation can permit intentional reinforcement, entrenchment, even inspiration of certain views and behaviours. Self-selected exposure to propaganda is a curious phenomenon, but one with enormous power.

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McDonald's: Image from Flickr user DRB62
McDonald’s, Toledo, Ohio, 1967. Image from DRB62 on Flickr.

We’ve looked previously at the effect of portion/packaging sizes as a ‘choice of default’ architecture of control, and I’m aware that I have not yet reviewed Dr Brian Wansink‘s excellent Mindless Eating, which examines this and other psychological aspects of the way we eat. I will do this in due course.

In the meantime, though, here’s an interesting account of the invention (probably one instance of many) of super-sizing as a specific technique for increasing consumption, from Michael Pollan‘s fascinating The Omnivore’s Dilemma:

…The soda makers don’t deserve credit for the invention of super-sizing. That distinction belongs to a man named David Wallerstein…[who] in the fifties and sixties …w orked for a chain of movie theaters in Texas, where he labored to expand sales of soda and popcorn – the high mark-up items that theaters depend on for their profitability. As the story is told in John Love’s official history of McDonald’s, Wallerstein tried everything he could think of to goose up sales – two-for-one deals, matinee specials – but found he simply could not induce customers to buy more than one soda and one bag of popcorn. He thought he knew why: Going for seconds makes people feel piggish.

Wallerstein discovered that people would spring for more popcorn and soda – a lot more – as long as it came in a single gigantic serving. Thus was born the two-quart bucket of popcorn, the sixty-four ounce Big Gulp, and, in time, the Big Mac and the jumbo fries, though Ray Kroc himself took some convincing. In 1968, Wallerstein went to work for McDonald’s, but, try as he might, he couldn’t convince Kroc, the company’s founder, of supersizing’s magic powers.

“If people want more fries,” Kroc told him, “they can buy two bags.” Wallerstein patiently explained that McDonald’s customers did want more but were reluctant to buy a second bag. “They don’t want to look like gluttons.”

Kroc remained skeptical, so Wallerstein went looking for proof. He began staking out McDonald’s outlets in and around Chicago, observing how people ate. He saw customers noisily draining their sodas, and digging infinitesimal bits of salt and burnt spud out of their little bags of French fries. After Wallerstein presented his findings, Kroc relented, approved supersized portions, and the dramatic spike in sales confirmed the marketer’s hunch… One might think that people would stop eating and drinking these gargantuan portions as soon as they felt full, but it turns out hunger doesn’t work that way. Researchers have found that people (and animals) presented with large portions will eat up to 30 percent more than they would otherwise.

As I say, we’ll come back to this and similar issues in due course, but I think it’s worth bearing in mind the implications of the unit bias phenomenon within design generally. Where else does it apply?

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Incompati-babel - image from eBoy

A clever comment on incompatible (and DRM’d) formats by eboy’s flunters. (Via rss.euge.de)

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Milk & cookies

Jonathan Zittrain discusses scented advertising in bus shelters: the California Milk Processor Board recently tried a campaign with chocolate-chip cookie-scented “aromatic strips”, intended to provoke a thirst for milk, in San Francisco before having to remove them after allergy/chemical sensitivity concerns.

The use of scent (fresh bread, coffee, ‘new car smell’ etc) as a persuasion method is nothing new in supermarkets and other retail environments – as part of coercive atmospherics, Douglas Rushkoff and Martin Howard both have interesting treatments of various approaches and results – but the balance does begin to shift when the application is so public. I would suspect a lot of the opposition in San Francisco was really more about the inescapable incursion of the commercial message into a public environment than the allergy concerns; as Jonathan puts it:

Unlike the use of even large billboards, there’s no easy way to avert your nose the way you can avert your eyes, making the advertising much more invasive.

Nevertheless, I’m not sure that a less obviously “invasive” olefactory campaign would necessarily meet too much opposition if handled correctly. Imagine an air freshener manufacturer sponsoring a clean-up of a city’s dirtiest/stinkiest bus shelters. Provided it were not overpowering, and not too sickening, would a fragranced bus shelter without a coercive angle be seen as invasive?

Or, to run closer to the milk-and-cookies example, what if, say, Nestlé were to fragrance bus shelters with chocolate milkshake scent in order to promote Nesquik? It doesn’t have the same ‘sneaky’ aspect, though I suspect it would still be pretty irritating.

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Gmail ads related to mp3 being played?

A few minutes ago I was playing a track in Winamp, with Gmail open in an Opera window, and on refreshing Gmail, the Google ‘web clip’ at the top of the inbox display contained the same phrase, ‘jet stream’, as the track.

Is that merely a coincidence, or does Gmail monitor what music is being played by a user? I don’t have Google Desktop or Toolbar or any of that installed.

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Fullfeeds.com website

Fullfeeds.com is “a petition against intentionally disabled feeds”:

Isn’t RSS about convenience? Wouldn’t you prefer to see entire texts in your feeds, rather than just summaries? Support the cause, sign the petition below.

While I’ve signed the petition, I’m not sure to what extent partial feeds are really deliberately used to drive subscribers to view the full post in its original context (and hence see the advertising), which would imply similar reasoning to splitting up articles to increase page views and forcing users to click through multiple ad pages to reach the file they want to download.

Certainly some bloggers will be using partial feeds for this reason, but equally, a lot of people who offer their feeds in a truncated format are perhaps doing so because their posts are longer/more involved and may seem ‘intimidating’ if displayed in full in a feed reader, especially if seen in a river of much shorter news items from other blogs – just as newspapers and magazines tend to have longer feature articles towards the middle and the second half, and shorter stories near the start.

There may also be plenty of bloggers who have simply not thought about the effect offering only partial feeds has. I know that I’m much less likely to read a post which is truncated when I come across it in Bloglines, simply because I can’t immediately see how long the post is, and hence how many minutes I’ll need to allocate in order to read and understand it fully (that makes it sound like I otherwise plan my time well, which is not true!).

So, although partial feeds can be an ‘architecture of control’ if used deliberately for forcing full views, I can’t believe that too many bloggers who actually use feed readers themselves would do it for that reason, because they must realise how annoying it can be.

Kevin Gamble and Stuart Brown have some interesting thoughts on this.

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