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(Anti-)public seating roundup

By: Dan
24-07-2007
Architecture, Architecture & urbanism, Art making a point, Bad design, Benches, Bureaucracy, Business model, Civil rights, Consumer rights, Creeping erosion of norms, Design, Design philosophy, Design with Intent, Designed to be unpleasant, Discriminatory Architecture, Do artifacts have politics?, Embedding code, Interaction design, Political design, Protest, Public money, Restriction, Sneaky, Social engineering, Spatial, Urban, Usability, User experience

Photo by Ville Tikkanen
Single-occupancy benches in Helsinki. Photo by Ville Tikkanen

Ville Tikkanen of Salient Feature points us to the “asocial design” of these single-person benches installed in Helsinki, Finland. In true Jan Chipchase style, he invites us to think about the affordances offered:

As you can see, the benches are located a few meters away from each other and staring at the same direction. What kind of sociality do particular product and service features afford and what not?

Comments on Ville’s photo on Flickr make it clear that preventing the homeless lying down is seen as one of the reasons behind the design (as we’ve seen in so many other cases).

Bench in Cornmarket, Oxford
The street finds its own uses for things. Photo from Stephanie Jenkins

Ted Dewan – the man behind Oxford’s intriguing Roadwitch project, which I will get round to covering at some point – pointed me to a fantastic photo of the vehemently anti-user seating in Oxford’s Cornmarket Street, which was covered on the blog last year. When I saw the seating, no-one was using it (not surprising, though to be fair, it was raining), but the above photo demonstrates very clearly what a pathetic conceit the attempt to restrict users’ sitting down was.

As Ted puts it, these are:

The world’s most expensive, ugly, and deliberately uncomfortable benches… Still, people have managed to figure out how to sit on them, although not the way the ‘designers’ expected. They might as well have written “Oxford wishes you would kindly piss off” on the pavement.

And indeed they were expensive – the set of 8 benches cost £240,000:

Benches in Oxford’s Cornmarket Street will now cost taxpayers £240,000 – and many have been designed to discourage people from sitting on them for a long time… the bill for the benches – dubbed “tombstones” by former Lord Mayor of Oxford Gill Sanders — has hit £240,000.

…

The seats, made of granite, timber and stainless steel, are due to be unveiled next week but shoppers wanting to take the weight off their feet could be disappointed, because they will only be able to sit properly on 24 of the 64 seats. There is a space for a wheelchair in each of the eight blocks, while the other 32 seats are curved and are only meant to be “perched” on for a short time… Mr Cook [Oxford City planning] said the public backed the design when consultation took place two years ago. He added: “There’s method in our madness. We did not want to provide clear, long benches both sides because we did not want drunks lying across them.”

But a city guide said the council had forgotten the purpose of seating. Jane Curran, 56… said: “When people see these seats and how much they cost, they are going to be amazed.

“They look like an interesting design, but seats are for people to sit on… the real function of a seat has been forgotten.”

Mrs Sanders, city councillor for Littlemore, said: “I said time and again that the council should rethink the design, because I don’t think it’s appropriate for Cornmarket. People who need a rest if they’re carrying heavy shopping need to be able to sit down. If they can’t sit on half the seats it’s an incredible waste of money.”

David Robertson, the county executive member for transport, said: “They have been designed so that the homeless will not be able to use them as a bed for the night.”

Bench by Matthew Hincman
Matthew Hincman’s ‘bench object’ installed at Jamaica Pond, Boston, Mass. Photo from WBUR website

Following last week’s post on the ‘Lean Seat’, John Curran let me know about the ‘bench object’ installation by sculptor Matthew Hincman. This was installed in a Boston park without any permission from the authorities, removed and then reinstated (for a while, at least) after the Boston Arts Commission and Parks Commission were impressed by the craftsmanship, thoughtfulness and safety of the piece.

While this is probably not Hincman’s intention, the deliberately ‘unsittable’ nature of the piece is not too much beyond some of the thinking we’ve seen displayed with real benches.

Photo of Exeter St David's Station by Elsie esq.
Exeter St Davids station – photo by Elsie esq.

In a similar vein to the Heathrow Terminal 5 deliberate lack of-seats except in overpriced cafés, Mags L Halliday also told me about what’s recently happened at Exeter St Davids, her local mainline railway station:

There are no longer any indoor seats available without having to sit in the café, and the toilets are beyond the ticket barrier. So if you’re there waiting for someone off a late train, after the cafe has closed, you can only sit outside the building, and have no access to the toilet facilities (unless a ticket inspector on the barrier feels kind).
…
[First Great Western] are currently doing their best to discourage people from just hanging around waiting at Exeter St Davids. The recent introduction of barriers there (due to massive amounts of fare dodging on the local trains) has created a simply awful space.
…
If you take a look at the stats, FGW has lost over 5% points for customer satisfaction with their facilities in the last 6 months – I wonder why!

Waiting outdoors for late-night trains, with the cold wind howling through the station, is never pleasant anywhere, but I seem to remember St Davids being especially windy (south-south-west to north-north-east orientation). This kind of tactic (removing seats) might not be deliberate, but if it isn’t, it demonstrates a real lack of customer insight or appreciation. Neither reason is admirable.

UPDATE: Mags has posted photos (slideshow) of the recent changes at Exeter St Davids, along with notes – which also show other poor thinking by First Great Western, alongside the obvious removal-of-seating:


Click to see more notes

This is the only seating freely available at Exeter St Davids if you do not have a ticket (i.e. if you are waiting for someone). Note that one of the two benches is delightfully occupied.


Click to see more notes

Exeter St David’s no longer has any freely accessible indoor seating. This is the view of the increasingly encroached concourse area where you can wait for people. The only toilets are beyond the barriers.


Click to see more notes

Having walked into the main concourse, you have to turn 180 degrees in order to see the departures screen, then 180 degrees back to go through the gates.

What an attractive meeting point!

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The Terminal Bench

By: Dan
06-07-2007
Architecture, Architecture & urbanism, Bad profits, Ballardian, Benches, Britain, Business model, Control, Design, Design philosophy, Design with Intent, Entertainment, Forcing functions, Future, Hidden persuaders, Interaction design, London, Marketing, Norms, Philosophy of control, Public money, Retail, Shopping, Sneaky, Spatial, Techniques of persuasion, User experience, User Psychology, Vague rhetoric

Heathrow: Skyport for the Seventies

Mags L Halliday – author of the Doctor Who novel History 101 – let me know about an ‘interesting’ design tactic being used at Heathrow’s Terminal 5. From the Guardian, by Julia Finch:

Flying from the new Heathrow Terminal 5 and facing a lengthy delay? No worries. Take a seat and enjoy the spectacular views through the glass walls: Windsor castle in one direction; the Wembley Arch, the London Eye and the Gherkin visible on the horizon in the other.

But you had better be quick, because the vast Richard Rogers-designed terminal, due to open at 4am on March 27 next year, has only 700 seats. That’s much less than two jumbo loads, in an airport designed to handle up to 30 million passengers a year.

There will be more chairs available but they will be inside cafes, bars and restaurants. Taking the weight off your feet will cost at least a cup of coffee.

I suppose we should have expected this. If they weren’t actually going to remove the seats, they’d have used uncomfortable benches instead. In itself, it’s maybe not quite as manipulative as the café deliberately creating worry to get customers to vacate their seats that we looked at a few days ago, but as Frankie Roberto commented, “airports seem to be a fairly unique environment, and one that must be full of architectures of control.”

Heathrow: Skyport for the Seventies

Nevertheless, aside from the more obvious control elements of airport architecture – from baggage trolley width restrictors to the blind enforcement of arbitrary regulations, the retailers themselves are keen to make the most of this unique environment and the combination of excitement, stress, tiredness, and above all, confinement, which the passengers are undergoing:

The new terminal may have been heralded as a “cathedral to flight”, but with 23,225 sq metres (250,000 sq ft) of retail space, the equivalent of six typical Asda stores, it is actually going to be a temple to retail. Heathrow may be packed with shops, but when the £4.2bn Terminal 5 opens the airport’s total shopping space will increase by 50% overnight.

…

After security, two banks of double escalators will transport potential shoppers into a 2,787 sq metre (30,000 sq foot) World Duty Free store… Mark Riches, managing director of WDF, believes his new superstore has the best possible site to part passengers from their cash: “About 70% of passengers will come down those escalators”, he said, “and we will be ready”.

He recognises he has a captive audience: “If we can’t sell to people who can’t leave the building, then there’s something wrong with us”.

Mr Riches, a former Marks & Spencer executive, is planning “to put the glamour back into airport retailing” with plans for gleaming cosmetics counters and a central area reserved for beauty services such as manicures.

“We are moving away from just selling stuff to providing services. This should be real theatre,” he said.

He is also planning what he calls “contentainment” – the music will change according to where you are in the shop and a 14-metre-long “crystal curtain” “bigger than a double decker bus and thinner than a calculator” will show videos, advertising and sports events.

Heathrow: Skyport for the Seventies

Everything about this story – from the location itself out on the bleak badlands between the M25 and A30, to the way the customers are coerced, channelled, mass-entertained and exploited, to the odd hyperbolic glee of Mr Riches’ visions for his mini-empire – seems to scream J G Ballard. If Kingdom Come hadn’t riffed off the Bentall Centre, it could surely have been about a Terminal 5.

Back to the practical aspects: the deliberate removal of public seating to force passengers to patronise restaurants and cafés is in no way isolated to Heathrow. In a coming post – also suggested by Mags – we’ll look at First Great Western’s policy of doing this in some of its railway stations, with none of the glitz of Terminal 5 but all of the cold-eyed distaste for the customer.

Heathrow: Skyport for the Seventies

Images from a leaflet published by the British Airports Authority, 1970.

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Deliberately creating worry

By: Dan
15-06-2007
1984, Architecture, Architecture & urbanism, Bad design, Benches, Business model, Consumer rights, Control, Design, Design philosophy, Design with Intent, Designed to be unpleasant, Designers, Do artifacts have politics?, Embedding code, Forcing functions, Health and safety, Hidden persuaders, Interaction design, Marketing, Orwellian, Philosophy of control, Political design, Propaganda, Shopping, Sneaky, Spatial, Techniques of persuasion, Usability, User experience, User Psychology

A European airport

Swedish creativity lecturer Fredrik Härén mentions an interesting architecture of control anecdote in his The Idea Book:

One of the cafés in an international European airport was often full. The problem was that people sat nursing their coffees for a long time as they waited for their planes to depart. The café asked itself: How can we encourage our customers to vacate the tables more quickly?

Their first ideas were probably along the lines of uncomfortable chairs, a seat charge, clear the tables immediately and so forth. However, the idea they finally decided upon was this: to turn off the flight monitors in the café! This made people worry about missing their flights, which led to them looking for monitors that worked, thus leaving empty tables. When the café had enough empty tables, the flight monitors suddenly started working again to attract new customers.

Creating worry in the customers’ minds would certainly seem to be effective – perhaps more effective than simply deliberately uncomfortable seating, which we’ve come across a number of times before. But is it really a sensible tactic? Won’t those customers, if they use the airport again, consciously avoid “that café where we nearly missed out flight last time because they turned the monitors off”? Has it occurred to the café operators that, perhaps, their customers value sitting down to ‘nurse’ their coffees as part of the coffee-drinking experience?

Härén doesn’t comment on this ‘contempt for the customer’ issue directly, but he does go on to suggest more positive ways of addressing the ‘problem’:

Formulating a question in different ways can help you look at a problem from different angles. In the case above, for example, you can find new angles by putting the question in another way: How can we sell more? So, instead of finding solutions to the problem of getting people to vacate the tables more quickly, you can also come up with solutions such as set up a take-away stand so that people can have a snack or drink by the departure gates, or sell picnic bags that passengers can take onto the planes with them and so on.

Are there other ‘built environment’ examples of deliberately creating worry to force certain behaviour onto users? What about product design?

Of course, much pharmaceutical (and anti-virus software) marketing and government security/crime propaganda through the ages has taken this line (it’s almost expected), but physical examples seem rarer.

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archiPWNED

By: Dan
24-05-2007
Architecture, Architecture & urbanism, Ballardian, Control, Design, Design philosophy, Design with Intent, Do artifacts have politics?, Embedding code, Forcing functions, Philosophy of control, Randian, Spatial, Techniques of persuasion, University, Urban, US

archiPWNED by Scott Nusinow
Image from archiPWNED portfolio entry (PDF)

Scott Nusinow, one of Cory Doctorow’s students in his University of Southern California class, ‘PWNED: Everyone on Campus is a Copyright Criminal‘, carried out an architectural concept project for the design of a Los Angeles library. He’s specifically addressed ‘architectures of control’ in the contexts of encouraging the public to use the library in an era where “the printed word… is marching towards obsolescence” and encouraging pedestrians to use the retail facilities on the same site (“by seeking to create a “positive feedback loop” of activity by funneling people towards the retail.”)

Scott’s full portfolio entry (PDF) has some interesting commentary, sketches, renderings and models. (As an aside, there’s something about architectural models that’s always fascinated me, and images such as the one above – even the surveillant pose of the figure in the window – evoke an odd mixture of Ballardian and Randian influences.)

I know there are some architecture graduates, students and enthusiasts who read this blog, but not knowing enough, myself, about the subject, I’d be very interested to know: To what extent are notions of control and behaviour-shaping taught as part of architectural training? This series of discussion board posts suggest that the issue is definitely there for architecture students, but is it framed as a conscious, positive process (e.g. “funnel the pedestrians past the shops”), a reactionary one (e.g. “use pebbled paving to make it painful for hippies to congregate“), or as something else entirely?

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Anti-user seating in Oxford

By: Dan
06-03-2007
Architecture, Architecture & urbanism, Bad design, Benches, Britain, Bureaucracy, Consumer rights, Control, Design, Design attitudes, Design engineering, Design philosophy, Design with Intent, Designed to be unpleasant, Designers, Do artifacts have politics?, Embedding code, Engineering design, Interaction design, Political design, Product design, Public money, Shopping, Social engineering, Spatial, Urban, Usability, User experience

Anti-user seating in Oxford
Anti-user seating in Oxford
Anti-user seating in Oxford
Anti-user seating in Oxford
Top two photos: A bench on Cornmarket Street, Oxford; Lower two photos: A bus stop seat perch on Castle Street.

While from a very narrow specification point-of-view ‘they do their job’, what utter contempt for users these two seating examples demonstrate! The benches on Cornmarket Street are clearly intended to prevent anyone lying down on them (armrests, small radius of curvature) or indeed sitting for very long at all in comfort (height off the ground, vertical backrest, small radius of curvature). Why? Why despise the public so much?

The designer must have been given a specification requiring all the above features: I can’t believe they just arose out of aesthetic or manufacturing considerations. That bench has been engineered to restrict, control and discipline users. Was it really necessary? Does forcing the homeless to lie on the ground instead, or preventing people sitting comfortably and watching the world go by really ‘solve’ any problems?

The bus stop perch – in this particular location intended at least partially for Park & Ride users – is perhaps even worse. It’s angled such that a young child couldn’t easily sit on it without sliding off. An adult has to stretch out his or her legs just to perch. A parent couldn’t sit next to a young child. A shopper would have to put down his or her bags on the ground, since they’d slide off the perch. My girlfriend and I couldn’t rest our drinks on the bench next to us; we had to put them on the ground. OK, that’s not much of a hardship, but it’s just frustrating design, intended to serve objectives other than the users’ benefit or convenience.

You wouldn’t want to wait any longer than necessary at that bus stop. If you were making the decision about whether to drive into Oxford or take the bus to go shopping (assuming cycling not to be an option for this) the unattractiveness of perching at an angle for 15 minutes on that mean strip of perforated sheet would begin to weigh heavily against the public transport option. Sure, you might end up sitting in your car in heavy traffic for 15 minutes, but it’s your car. The seats are comfortable, it’s warm, and you can shape and adjust the environment to suit you.

I don’t want to go off on one here about solving (or easing) Britain’s transport problems, but I do feel that this kind of situation embodies some of the very important issues. By making bus users feel unwanted – despised even – you don’t enhance the image or desirability of the mode of travel. Little details such as this can make a huge difference to perceptions. The buses themselves are great, but if the experience of using the service seems to demonstrate contempt for the user, the user may develop contempt for the service.

Japan may have some of the most explicitly user-unfriendly public benches we’ve come across so far, but there’s also something rather disturbing about the sheer blandness of the bench implementations shown above. Their starkness embodies the thinking behind the design: all possible interaction methods to be reduced down to one sole, pre-defined utility function, with the user not permitted to do anything outside that intentionally myopic definition.

(Incidentally, to be fair, there were some lower seats with horizontal platforms on the other side of the bench in Cornmarket Street. They still had armrests to prevent lying down (or even sitting close to someone), but were not as awful as the curved ones.)

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Friday quote: Super-Cannes by J G Ballard

By: Dan
26-01-2007
Architecture, Architecture & urbanism, Control, Deleuze, Design, Design philosophy, Design with Intent, Do artifacts have politics?, Embedding code, Europe, Foucault, Friday quote, Norms, Philosophy of control, Spatial

A street in Cannes, autumn 2005

J G Ballard, Super-Cannes, chapter 29:

Thousands of people live and work here without making a single decision about right and wrong. The moral order is engineered into their lives along with the speed limits and the security systems.

Re-reading Ballard’s excellent Super-Cannes, since the way the winter afternoon sunlight suddenly caught a building a few days ago made me think sharply, momentarily, of the vast technology parks of Sophia-Antipolis. The above quote describes, essentially, architecture of control in a structural, sub-surface, context: in the sense of Robert Moses‘ low bridges, perhaps. Not just artefacts with politics, but entire environments and systems with agendas.

More on Ballard at the brilliant Ballardian.

(This is the first Friday quote for a long time. In fact there’s only been one previously; I’ll try to make it a regular feature of the blog. They won’t always be about architectures of control, but I’ll endeavour to make sure they’re always interesting.)

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