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Art making a point

Image from Flickr user Monkeys & Kiwis

Image from Monkeys & Kiwis (Flickr)

Chris Weightman let me know about how it felt to watch last Thursday’s iPod Flashmob at London’s Liverpool Street station: the dominant sense was of a mass of people overturning the ‘prescribed’ behaviour designed into an environment, and turning the area into their own canvas, overlaying individualised, externally silent experiences on the usual commuter traffic.

Probably wouldn’t get away with that sort of thing at an airport any more anyway, but what will happen to this kind of informal gathering in the era of the societies of control? When everyware monitors exactly who’s where and forces the barriers closed for anyone hoping to use the space for something other than that for which it was intended?

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Photo by Yumiko Hayakawa

Images from Yumiko Hayakawa

Yumiko Hayakawa has a very thoughtful and well-illustrated article at OhMyNews on the story behind the variety of ‘anti-homeless’ benches and architectural features (including public art) in Tokyo’s parks and public areas – by making it difficult or impossible to lie down. (We’ve looked briefly before at benches with central armrests before, along with anti-sit devices and of course anti-skateboarding measures – ‘disciplinary architecture‘)

Many of the features, such as the benches shown above and below, are also designed to discourage everyone from spending too long on them, even when sitting normally, by deliberately making them uncomfortable:

“The bench in the photo below may appear to be of modern design, but because of its tubular construction one risks sliding off if not careful.

One should be especially careful if drunk at the time! Made of stainless steel, the benches are hot in summer and cold in winter. The Toshima-ward parks office, which oversees Ikebukuro West Park, home to this bench, describes the bench as “designed to keep with the modern image of the area while at the same time not allowing homeless people to loiter.”

Suggestions that the benches were dangerously slippery and also uncomfortable met with the advice that “people should take the utmost care when sitting on them” and that these benches were only something to lean on or sit on for a few minutes.

That is, they want us to regard the bench as “somewhere you can sit if you have to.” It makes you wonder who would actually want to sit on such a bench.”

Photo by Yumiko Hayakawa

There are examples of bus stop ‘perches’ and uncomfortable cafĂ© seating to discourage loitering from many areas of the world, but it does seem as though Tokyo’s authorities perhaps see inconveniencing all members of the public as merely collateral damage in a ‘war’ against the homeless, which itself is more than simply contentious. Nevertheless, people adapt and find their own ways around discipline. Hayakawa interviewed some homeless people about the benches:

“Most common were the “defeatists,” who gave up on the grounds that the benches were so uncomfortable that it was easier to just lay down a newspaper and sit on the ground. Next most common were the “optimists,” who argued that while they found it a hassle to be unable to sit on benches for a long period of time, it did mean that other park users had to put up with seeing homeless people less. Finally, there were the
“innovators,” who would lie folding their bodies into a V-shape around the central bench divider, or placing bags on either sides of the divider at the same height, or even placing a camping stove underneath the stainless steel tubular bench above to cook and at the same time warm the bench!”

Do artefacts have politics?” Langdon Winner asked in 1986; the answer is, of course, yes.

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A DRM warning label mockup.
A warning label mockup*

The BBC is reporting that the All Party Internet Group (APIG), a cross-party group of MPs, has made some intelligent – and interesting – recommendations about explaining DRM more fully to consumers:

“The MPs’ report made several recommendations and called on the Office of Fair Trading hasten the introduction of labelling regulations that would let people know what they can do with music and movies they buy online or offline.

This would ensure that it was “crystal clear” to consumers what freedom they have to use the content they are purchasing and what would happen if they do something outlawed by the protection system.

The same labelling systems would also spell out what happened in the event of a maker of DRM technology going bust, if a protection system became obsolete or if gadgets to play the content are replaced.

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They’re back up (well, the wave files anyway), thanks to the Internet Archive.

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High frequencies being tested in the urban badlands: see, no teenagers here!
High frequencies being tested in the urban badlands: see, no teenagers here!

A lot of people find this site through searching for something along the lines of ‘Mosquito high frequency anti-teenager ringtone’, and are presumably disappointed when they find that there is no such ringtone to download, even if just because they’d like to test it on friends and family. (More on the Mosquito device) There’s also the more possibility of course of using the ringtone as a kind of ‘secret ringtone’ that, supposedly, only younger people can hear, so you can receive text messages, etc, e.g. while in class, without adults noticing, though I’d have thought that was partially the point of the vibrate mode.

Anyway, I thought I might as well give those searching what they’re looking for, sort of.

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