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	<title>Design with Intent &#187; Broadcast flag</title>
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		<title>Digital control round-up</title>
		<link>http://architectures.danlockton.co.uk/2006/12/30/digital-control-round-up/</link>
		<comments>http://architectures.danlockton.co.uk/2006/12/30/digital-control-round-up/#comments</comments>
		<pubDate>Sat, 30 Dec 2006 16:49:21 +0000</pubDate>
		<dc:creator>Dan</dc:creator>
				<category><![CDATA[Analog hole]]></category>
		<category><![CDATA[Bad design]]></category>
		<category><![CDATA[Broadcast flag]]></category>
		<category><![CDATA[Business model]]></category>
		<category><![CDATA[Circumvention]]></category>
		<category><![CDATA[Consumer rights]]></category>
		<category><![CDATA[Control]]></category>
		<category><![CDATA[Copyfight]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Creeping erosion of norms]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Design with Intent]]></category>
		<category><![CDATA[Digital rights]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[Embedding code]]></category>
		<category><![CDATA[Erosion of liberty]]></category>
		<category><![CDATA[Feature deletion]]></category>
		<category><![CDATA[Freedom to tinker]]></category>
		<category><![CDATA[Future]]></category>
		<category><![CDATA[Gravy train]]></category>
		<category><![CDATA[Internet economics]]></category>
		<category><![CDATA[Intrusive technology]]></category>
		<category><![CDATA[Lobbying]]></category>
		<category><![CDATA[Monopoly]]></category>
		<category><![CDATA[Movie industry]]></category>
		<category><![CDATA[MP3]]></category>
		<category><![CDATA[MPAA]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Music industry]]></category>
		<category><![CDATA[Norms]]></category>
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		<category><![CDATA[Rent-seeking]]></category>
		<category><![CDATA[RIAA]]></category>
		<category><![CDATA[Sneaky]]></category>
		<category><![CDATA[Software]]></category>
		<category><![CDATA[Stifling innovation]]></category>
		<category><![CDATA[Technical protection measures]]></category>
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		<category><![CDATA[Treacherous computing]]></category>
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		<category><![CDATA[Usability]]></category>
		<category><![CDATA[User experience]]></category>
		<category><![CDATA[User Psychology]]></category>
		<category><![CDATA[Vague rhetoric]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Worldwide]]></category>
		<category><![CDATA[Your property]]></category>

		<guid isPermaLink="false">http://architectures.danlockton.co.uk/2006/12/30/digital-control-round-up/</guid>
		<description><![CDATA[Some developments in &#8211; and commentary on &#8211; digital architectures of control to end 2006: Peter Gutmann&#8217;s &#8216;A Cost Analysis of Windows Vista Content Protection&#8217; (via Bruce Schneier) looks very lucidly at the effects that Vista&#8217;s DRM and measures to &#8216;protect&#8217; content will have &#8211; on users themselves, and knock-on effects elsewhere. The more one [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.danlockton.co.uk/research/images/padlock_pcb.jpg" alt="Digital architectures of control" /></p>
<p>Some developments in &#8211; and commentary on &#8211; digital architectures of control to end 2006:</p>
<li>Peter Gutmann&#8217;s <a href="http://www.cs.auckland.ac.nz/~pgut001/pubs/vista_cost.txt">&#8216;A Cost Analysis of Windows Vista Content Protection&#8217;</a> (via <a href="http://www.schneier.com/blog/archives/2006/12/a_cost_analysis.html">Bruce Schneier</a>) looks very lucidly at the effects that Vista&#8217;s DRM and measures to &#8216;protect&#8217; content will have &#8211; on users themselves, and knock-on effects elsewhere. The more one reads, the more astonishing this whole affair is:<br />
<blockquote><p>Possibly for the first time ever, computer design is being dictated not by electronic design rules, physical layout requirements, and thermal issues, but by the wishes of the content industry.</p></blockquote>
<p>Vista appears to be just about the worst consumer product of all time. However, unlike other discretionary purchases, consumers will have less of a choice: Vista will come with any PC you buy from a major store, and all the hardware manufacturers will have to pass on the extra costs and complexity required to customers, whether or not they intend to use that hardware with Vista. When critical military and healthcare systems start to be run on Vista, we&#8217;ll all end up paying. </p>
<p>As Peter puts it:</p>
<blockquote><p>The Vista Content Protection specification could very well constitute the longest suicide note in history</p></blockquote>
</li>
<li>In a similar vein, the <a href="http://uk.theinquirer.net/?article=36574">&#8216;format wars&#8217; over high-definition video</a> appear to have descended into a farce:<br />
<blockquote><p>Basically, what we have is a series of anti-consumer DRM infections masquerading as nothing in particular. They bring only net negatives to anyone dumb enough to pay money for them, and everything is better than these offerings. They sell in spite of the features they tout, not because of them.</p></blockquote>
<p>And, of course, <a href="http://www.uninnovate.com/2006/12/28/history-repeats-itself-hd-dvd-video-format-partially-cracked/">HD-DVD encryption has already been &#8220;(partially) cracked&#8221;</a> as Uninnovate puts it, with that <a href="http://forum.doom9.org/showthread.php?p=922059#post922059">decryption effort being triggered directly as a result of consumer frustration with incompatibility</a>:</p>
<blockquote><p>I just bought a HD-DVD drive to plug on my PC, and a HD movie, cool! But when I realized the 2 software players on Windows don’t allowed me to play the movie at all, because my video card is not HDCP compliant and because I have a HD monitor plugged with DVI interface, I started to get mad… This is not what we can call “fair use”! So I decide to decrypt that movie.</p></blockquote>
</li>
<li><a href="http://www.consumerist.com/consumer/drm/consumers-buy-only-23-songs-per-ipod-224177.php">&#8220;Consumers buy only 23 songs per iPod&#8221;</a> &#8211; clearly, the vast majority of music on iPods and other portable music players has been acquired through CD-ripping or file-sharing, something which we all know, but which has been an elephant in the room for a long time when the industry is discussed (and remember that the Gowers&#8217; Review has <a href="http://www.thebillblog.com/billblog/index.php/2006/12/08/getting-the-balance-right-more-on-gowers/">only just recommended that ripping CDs be legalised in the UK</a>).
<p>Of course, <a href="http://www.techcrunch.com/2006/12/14/bill-gates-on-the-future-of-drm/">Bill Gates also recommends ripping CDs</a> (see also some great <a href="http://www.bambismusings.com/?p=473">commentary from LilBambi on this</a>).</p>
<p><a href="http://www.usatoday.com/tech/columnist/andrewkantor/2006-12-22-apple-itunes_x.htm">Andrew Kantor in <em>USA Today</em></a> has some pragmatic analysis of the situation:</p>
<blockquote><p>People want their music without restrictions, and too many legal downloads, like those from iTunes, come with restrictions. You can&#8217;t copy them to another player, or you&#8217;re limited to how often you can do it, or you have to jump through the hoops of burning your iTunes tracks to CD and re-ripping them to a more useful format&#8230; as cellphones with built-in MP3 players gain popularity, users will find themselves up against an entirely new set of usage restrictions. Some subscription services will delete the music from your player when you cancel your subscription.</p>
<p>&#8230;</p>
<p>Buy a CD or use a program like eMule&#8230; and you have no restrictions. And that&#8217;s what people want.</p>
<p><strong>They don&#8217;t want to have to match their music store with their music player any more than they want to have to match their brands of gasoline with their brands of car.</strong> They want, in short, to be able to use today&#8217;s music the same ways they used yesterday&#8217;s: Any way they want.</p>
<p>In fact, the industry&#8217;s been down this road before and hit a similar wall. In the first decades of the 20th century, the wax cylinders (and, later, 78rpm disks) on which music was recorded worked only with specific players. Industry attempts to monopolize the technology led only to poor sales.</p></blockquote>
</li>
<li>Finally, Microsoft&#8217;s <a href="http://www.latimes.com/news/opinion/la-oe-tech28dec28,0,1897236,full.story">Steve Ballmer tells us that in 2007 the consumer will be &#8220;back in control&#8221;</a>. It doesn&#8217;t mean much out of context, nor in the context he used it in fact, but it looks like <a href="http://www.sourcewatch.org/index.php?title=Doublespeak">Doublespeak</a> is alive and well.</li>
]]></content:encoded>
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		</item>
		<item>
		<title>Uninnovate &#8211; engineering products to do less</title>
		<link>http://architectures.danlockton.co.uk/2006/09/10/uninnovate-engineering-products-to-do-less/</link>
		<comments>http://architectures.danlockton.co.uk/2006/09/10/uninnovate-engineering-products-to-do-less/#comments</comments>
		<pubDate>Sun, 10 Sep 2006 22:26:15 +0000</pubDate>
		<dc:creator>Dan</dc:creator>
				<category><![CDATA[Bad design]]></category>
		<category><![CDATA[Broadcast flag]]></category>
		<category><![CDATA[Business model]]></category>
		<category><![CDATA[Cell phones]]></category>
		<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Circumvention]]></category>
		<category><![CDATA[Civil rights]]></category>
		<category><![CDATA[Consumer rights]]></category>
		<category><![CDATA[Control]]></category>
		<category><![CDATA[Copyfight]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Creeping erosion of norms]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Design engineering]]></category>
		<category><![CDATA[Design philosophy]]></category>
		<category><![CDATA[Design with Intent]]></category>
		<category><![CDATA[Designers]]></category>
		<category><![CDATA[Digital rights]]></category>
		<category><![CDATA[Do artifacts have politics?]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[Dystopia]]></category>
		<category><![CDATA[Embedding code]]></category>
		<category><![CDATA[Engineering]]></category>
		<category><![CDATA[Engineering design]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Entropy]]></category>
		<category><![CDATA[Erosion of liberty]]></category>
		<category><![CDATA[Feature deletion]]></category>
		<category><![CDATA[Firmware]]></category>
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		<category><![CDATA[Innovation]]></category>
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		<category><![CDATA[Interaction design]]></category>
		<category><![CDATA[Intrusive technology]]></category>
		<category><![CDATA[Invention]]></category>
		<category><![CDATA[Killjoy technology]]></category>
		<category><![CDATA[Liberty]]></category>
		<category><![CDATA[Mobile phones]]></category>
		<category><![CDATA[Monopoly]]></category>
		<category><![CDATA[Movie industry]]></category>
		<category><![CDATA[MP3]]></category>
		<category><![CDATA[MPAA]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Music industry]]></category>
		<category><![CDATA[Philosophy of control]]></category>
		<category><![CDATA[Political design]]></category>
		<category><![CDATA[Product design]]></category>
		<category><![CDATA[Rent-seeking]]></category>
		<category><![CDATA[Restriction]]></category>
		<category><![CDATA[RIAA]]></category>
		<category><![CDATA[Sneaky]]></category>
		<category><![CDATA[Software]]></category>
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		<category><![CDATA[Techniques of persuasion]]></category>
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		<category><![CDATA[Technology policy]]></category>
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		<category><![CDATA[US]]></category>
		<category><![CDATA[User experience]]></category>
		<category><![CDATA[User Psychology]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Worldwide]]></category>
		<category><![CDATA[Your property]]></category>

		<guid isPermaLink="false">http://architectures.danlockton.co.uk/?p=113</guid>
		<description><![CDATA[Image from uninnovate.com I&#8217;ve just come across a very interesting new blog, uninnovate.com, which focuses on the phenomenon of &#8220;engineering expensive features into a product for which there is no market demand in order to make the product do less.&#8221; The first few posts tackle &#8216;Three legends of uninnovation&#8216; (the iPod&#8217;s copy restrictions, Sony&#8217;s mp3-less [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.danlockton.co.uk/research/images/uninnovate.jpg" alt="Uninnovate.com" /><br /><em>Image from <a href="http://www.uninnovate.com">uninnovate.com</a></em></p>
<p>I&#8217;ve just come across a very interesting new blog, <a href="http://www.uninnovate.com">uninnovate.com</a>, which focuses on the phenomenon of &#8220;<strong>engineering expensive features into a product for which there is no market demand in order to make the product do less</strong>.&#8221; The first few posts tackle &#8216;<a href="http://www.uninnovate.com/2006/09/06/the-legends-of-uninnovation/">Three legends of uninnovation</a>&#8216; (the iPod&#8217;s copy restrictions, Sony&#8217;s mp3-less Walkman, and Verizon&#8217;s rent-seeking on Bluetooth features), <a href="http://www.uninnovate.com/2006/09/07/microsoft-thinks-removing-features-is-44-times-more-urgent-than-fixing-critical-security-holes/">Microsoft&#8217;s priorities</a> (patching DRM flaws vs. security flaws that actually damage users), <a href="http://www.uninnovate.com/2006/09/08/amazon-spends-over-a-year-developing-movie-download-service-then-shackles-it-with-absurd-restrictions-4/">Amazon&#8217;s absurd new Unbox &#8216;service&#8217;</a> and <a href="http://www.uninnovate.com/2006/09/10/trusted-computing-for-cell-phones-debuts-wednesday/">&#8216;Trusted&#8217; computing for mobile phones</a>. The perspective is refreshingly clear: no customer woke up wanting these &#8216;features&#8217;, yet companies direct vast efforts towards developing them. </p>
<p>In a sense the &#8216;uninnovation&#8217; concept is a similar idea to a large proportion of the architectures of control in products I&#8217;ve been examining on this site over the last year, especially <a href="http://architectures.danlockton.co.uk/?cat=18&#038;submit=Go"><strong>DRM</strong></a> and DRM-related <a href="http://architectures.danlockton.co.uk/?p=101"><strong>lock-ins</strong></a>, though with a slightly different emphasis: I&#8217;ve chosen to look at it all from a &#8216;control&#8217; point of view (features are being designed in &#8211; or out &#8211; with the express intention of manipulating and restricting users&#8217; behaviour, usually for commercial ends, but also political or social).</p>
<p><a href="http://www.uninnovate.com/">Uninnovate</a> looks to be a great blog to watch &#8211; not sure who&#8217;s behind it, but the analysis is spot-on and the examples lucidly explained.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Some links: miscellaneous, pertinent to architectures of control</title>
		<link>http://architectures.danlockton.co.uk/2006/09/01/some-links-miscellaneous-pertinent-to-architectures-of-control/</link>
		<comments>http://architectures.danlockton.co.uk/2006/09/01/some-links-miscellaneous-pertinent-to-architectures-of-control/#comments</comments>
		<pubDate>Fri, 01 Sep 2006 17:53:49 +0000</pubDate>
		<dc:creator>Dan</dc:creator>
				<category><![CDATA[1984]]></category>
		<category><![CDATA[Analog hole]]></category>
		<category><![CDATA[Architecture & urbanism]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[Bad design]]></category>
		<category><![CDATA[Black box]]></category>
		<category><![CDATA[Broadcast flag]]></category>
		<category><![CDATA[Bureaucracy]]></category>
		<category><![CDATA[Business model]]></category>
		<category><![CDATA[Cargo cult]]></category>
		<category><![CDATA[Censorship]]></category>
		<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Circumvention]]></category>
		<category><![CDATA[Civil rights]]></category>
		<category><![CDATA[Consumer rights]]></category>
		<category><![CDATA[Control]]></category>
		<category><![CDATA[Copyfight]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Corruption]]></category>
		<category><![CDATA[Creeping erosion of norms]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Deleuze]]></category>
		<category><![CDATA[Democracy of innovation]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Design engineering]]></category>
		<category><![CDATA[Design philosophy]]></category>
		<category><![CDATA[Design with Intent]]></category>
		<category><![CDATA[Designers]]></category>
		<category><![CDATA[Digital rights]]></category>
		<category><![CDATA[Discrimination]]></category>
		<category><![CDATA[Discriminatory Architecture]]></category>
		<category><![CDATA[Distasteful corollary]]></category>
		<category><![CDATA[Do artifacts have politics?]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[Dystopia]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Embedding code]]></category>
		<category><![CDATA[Engineering]]></category>
		<category><![CDATA[Engineering design]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Entropy]]></category>
		<category><![CDATA[Erosion of liberty]]></category>
		<category><![CDATA[Everyware]]></category>
		<category><![CDATA[Exclusion]]></category>
		<category><![CDATA[External Control]]></category>
		<category><![CDATA[Feature deletion]]></category>
		<category><![CDATA[Fightback Devices]]></category>
		<category><![CDATA[Forcing functions]]></category>
		<category><![CDATA[Foucault]]></category>
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		<category><![CDATA[Gadgets]]></category>
		<category><![CDATA[Gravy train]]></category>
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		<category><![CDATA[Interaction design]]></category>
		<category><![CDATA[Internet economics]]></category>
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		<category><![CDATA[Invention]]></category>
		<category><![CDATA[Killjoy technology]]></category>
		<category><![CDATA[Law]]></category>
		<category><![CDATA[Legislation]]></category>
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		<category><![CDATA[MPAA]]></category>
		<category><![CDATA[Music]]></category>
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		<category><![CDATA[Razor blade model]]></category>
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		<category><![CDATA[Restriction]]></category>
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		<category><![CDATA[Spatial]]></category>
		<category><![CDATA[Stallman]]></category>
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		<category><![CDATA[Technology policy]]></category>
		<category><![CDATA[Technology underclass]]></category>
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		<guid isPermaLink="false">http://architectures.danlockton.co.uk/?p=111</guid>
		<description><![CDATA[Ulises Mejias on &#8216;Confinement, Education and the Control Society&#8217; &#8211; fascinating commentary on Deleuze&#8217;s societies of control and how the instant communication and &#8216;life-long learning&#8217; potential (and, I guess, everyware) of the internet age may facilitate control and repression: &#8220;This is the paradox of social media that has been bothering me lately: an &#8216;empowering&#8217; media [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://ideant.typepad.com/ideant/2006/08/confinement_edu.html">Ulises Mejias on &#8216;Confinement, Education and the Control Society&#8217;</a> &#8211; fascinating commentary on <a href="http://architectures.danlockton.co.uk/?p=28"><strong>Deleuze&#8217;s societies of control</strong></a> and how the instant communication and &#8216;life-long learning&#8217; potential (and, I guess, <a href="http://architectures.danlockton.co.uk/?p=93"><strong>everyware</strong></a>) of the internet age may facilitate control and repression:</p>
<blockquote><p>&#8220;This is the paradox of social media that has been bothering me lately: an &#8216;empowering&#8217; media that provides increased opportunities for communication, education and online participation, but which at the same time further isolates individuals and aggregates them into masses —more prone to control, and by extension more prone to discipline.&#8221;</p></blockquote>
<hr />
<p><a href="http://ask.slashdot.org/article.pl?sid=06/08/30/0145228">Slashdot on &#8216;A working economy without DRM?&#8217;</a> &#8211; same debate as ever, but some very insightful comments</p>
<hr />
<p><a href="http://ask.slashdot.org/article.pl?sid=06/08/31/1759252">Slashdot on &#8216;Explaining DRM to a less-experienced PC user&#8217;</a> &#8211; I particularly like SmallFurryCreature&#8217;s <a href="http://ask.slashdot.org/comments.pl?sid=195491&#038;cid=16022303">&#8216;Sugar cube&#8217; analogy</a></p>
<hr />
<p><a href="http://www.copyrightmyths.org/promise">&#8216;The Promise of a Post-Copyright World&#8217; by Karl Fogel</a> &#8211; extremely clear analysis of the history of copyright and, especially, the way it has been presented to the public over the centuries</p>
<hr />
<p>(Via <a href="http://www.boingboing.net/2006/09/01/heartrate_activated_.html">BoingBoing</a>) <a href="http://www.theentertrainer.com/">The Entertrainer</a> &#8211; a heart monitor-linked TV controller: your TV stays on with the volume at a usable level only while you keep exercising at the required rate. Similar concept to Gillian Swan&#8217;s <a href="http://architectures.danlockton.co.uk/?page_id=6#Square-Eyes"><strong>Square-Eyes</strong></a></p>
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		<title>Ed Felten: DRM Wars, and &#8216;Property Rights Management&#8217;</title>
		<link>http://architectures.danlockton.co.uk/2006/08/15/ed-felten-drm-wars-and-property-rights-management/</link>
		<comments>http://architectures.danlockton.co.uk/2006/08/15/ed-felten-drm-wars-and-property-rights-management/#comments</comments>
		<pubDate>Tue, 15 Aug 2006 18:15:13 +0000</pubDate>
		<dc:creator>Dan</dc:creator>
				<category><![CDATA[Analog hole]]></category>
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		<guid isPermaLink="false">http://architectures.danlockton.co.uk/?p=101</guid>
		<description><![CDATA[At Freedom to Tinker, Ed Felten has posted a summary of a talk he gave at the Usenix Security Symposium, called &#8220;DRM Wars: The Next Generation&#8221;. The two installments so far (Part 1, Part 2) trace a possible trend in the (stated) intentions of DRM&#8217;s proponents, from it being largely promoted as a tool to [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.danlockton.co.uk/research/images/rfidvelcro.jpg" alt="RFID Velcro?" /></p>
<p>At <a href="http://www.freedom-to-tinker.com">Freedom to Tinker</a>, Ed Felten has posted a summary of a talk he gave at the <a href="http://www.usenix.org/events/sec06/tech/">Usenix Security Symposium</a>, called &#8220;DRM Wars: The Next Generation&#8221;. The two installments so far (<a href="http://www.freedom-to-tinker.com/?p=1051">Part 1</a>, <a href="http://www.freedom-to-tinker.com/?p=1052">Part 2</a>) trace a possible trend in the (stated) intentions of DRM&#8217;s proponents, from it being largely promoted as a tool to help enforce copyright law (and defeat &#8216;illegal pirates&#8217;) to the current stirrings of DRM&#8217;s being explicitly acknowledged as a tool to facilitate discrimination and lock-in — and the apparent &#8216;benefits of this&#8217;:</p>
<blockquote><p>&#8220;First, they argue that DRM enables price discrimination — business models that charge different customers different prices for a product — and that <strong>price discrimination benefits society, at least sometimes</strong>. Second, they argue that DRM helps platform developers lock in their customers, as Apple has done with its iPod/iTunes products, and that <strong>lock-in increases the incentive to develop platforms</strong>.<br />
<span id="more-101"></span><br />
Interestingly, these new arguments have little or nothing to do with copyright. The maker of almost any product would like to price discriminate, or to lock customers in to its product. Accordingly, we can expect the debate over DRM policy to come unmoored from copyright, with people on both sides making arguments unrelated to copyright and its goals.&#8221;</p></blockquote>
<p>As noted by some of the commenters, that unmooring also unmoors the DRM debate from being presented as an &#8216;honest content providers vs illegal pirating freeloaders&#8217; one. Price-fixing, lock-ins and so on are difficult to defend, and I find it hard to think of convincing examples where &#8220;price discrimination benefits society&#8221; or &#8220;lock-in increases the incentive to develop platforms&#8221;. If customers are locked in to a platform, there is no incentive to innovate for the locker-in, and much higher barriers for competitors to draw them away. Path dependency is rarely good for companies, and rarely good for society, and lock-ins would seem to be a major contributor to path dependency. The argument that &#8220;Apple wouldn&#8217;t have developed the iPod (and the record companies wouldn&#8217;t have let Apple develop iTunes) if DRM didn&#8217;t exist to lock customers in&#8221; is specious: there were plenty of portable music players before they came on the scene, and surely most 40GB music iPods were always intended to be largely filled with music acquired from somewhere other than iTunes.</p>
<p>Ed goes on to talk about the trend &#8220;toward the use of DRM-like technologies on traditional physical products.&#8221; (Long-term followers &#8211; if any! &#8211; of my research might remember this is very similar to the phrase &#8220;Architectures of control: DRM in hardware&#8221; which <a href="http://www.boingboing.net/2005/04/25/architectures_of_con.html">Cory Doctorow used</a> to link to my original web-page on the subject), and uses the example of printer cartridge lock-ins (see also <a href="http://architectures.danlockton.co.uk/?page_id=9"><strong>here</strong></a>): </p>
<blockquote><p>&#8220;A good example is the use of cryptographic lockout codes in computer printers and their toner cartridges. Printer manufacturers want to sell printers at a low price and compensate by charging more for toner cartridges. To do this, they want to stop consumers from buying cheap third-party toner cartridges. So some printer makers have their printers do a cryptographic handshake with a chip in their cartridges, and they lock out third-party cartridges by programming the printers not to operate with cartridges that can’t do the secret handshake.</p>
<p>Doing this requires having some minimal level of computing functionality in both devices (e.g., the printer and cartridge). Moore’s Law is driving the size and price of that functionality to zero, so it will become economical to put secret-handshake functions into more and more products. Just as traditional DRM operates by limiting and controlling interoperation (i.e., compatibility) between digital products, these technologies will limit and control interoperation between ordinary products. We can call this Property Rights Management, or PRM.&#8221;</p></blockquote>
<p>Not too sure about that term myself, as I feel the affordances the technology is controlling are moving further and further away from actual &#8216;rights&#8217;. DRM is bad enough as a catch-all term for technology which in many cases is <em>denying</em> users rights they may legally hold in some countries (e.g. fair use or backup copies). I think &#8220;technology lock-ins&#8221; or &#8220;technology razor-blade models&#8221; might be a more descriptive label than &#8216;PRM&#8217;. (Or &#8216;architectures of control&#8217;, of course, but my <a href="http://architectures.danlockton.co.uk/?page_id=3">definition</a> of these is much broader than simply lock-ins).</p>
<p>Ed gives three examples of possible future extensions of technology lock-ins, none of which seem at all unlikely; in fact they&#8217;re all easily possible right now:</p>
<blockquote><p>&#8220;(1) A pen may refuse to dispense ink unless it’s being used with licensed paper. The pen would handshake with the paper by short-range RFID or through physical contact. </p>
<p>(2) A shoe may refuse to provide some features, such as high-tech cushioning of the sole, unless used with licensed shoelaces. Again, this could be done by short-range RFID or physical contact. </p>
<p>(3) The scratchy side of a velcro connector may refuse to stick to the fuzzy size unless the fuzzy side is licensed. The scratchy side of velcro has little hooks to grab loops on the fuzzy side; the hooks may refuse to function unless the license is in order [hence my photo at the top of this post! - Dan] For example, Apple could put PRMed scratchy-velcro onto the iPod, in the hope of extracting license fees from companies that make fuzzy-velcro for the iPod to stick to.</p>
<p>Will these things actually happen? I can’t say for sure. I chose these examples to illustrate how far PRM might go. The examples will be feasible to implement, eventually. Whether PRM gets used in these particular markets depends on market conditions and business decisions by the vendors. What we can say, I think, is that as PRM becomes practical in more product areas, its use will widen and we’ll face policy decisions about how to treat it.&#8221;</p></blockquote>
<p>The comments on both posts (<a href="http://www.freedom-to-tinker.com/?p=1051#comments">Part 1</a> | <a href="http://www.freedom-to-tinker.com/?p=1052#comments">Part 2</a>) go into some extremely interesting discussion of the ideas and examples, with the &#8216;pen/licensed paper&#8217; one being conclusively noted as &#8216;baked&#8217; with <a href="http://beamjockey.livejournal.com/">Bill Higgins</a> explaining the <a href="http://www.anotofunctionality.com/cldoc/aof3.htm">Anoto</a>* technology. </p>
<p>(*And no, I don&#8217;t think the &#8220;www.anotofunctionality.com&#8221; of that link is deliberately in the <a href="http://www.snopes.com/business/names/domains.asp">same league</a> as &#8220;www.powergenitalia.com,&#8221; &#8220;www.expertsexchange.com,&#8221; etc, but it&#8217;s still oddly apposite given the &#8220;no to functionality&#8221; with which so many lock-ins shed users when they&#8217;re fed up with paying over the odds for replacement parts.)</p>
<p>I look forward to the third part of Ed&#8217;s talk summary: this is a fascinating area of discussion which is central to much of the &#8216;architectures of control&#8217; phenomenon. </p>
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		<title>Oh yeah, that Windows Kill Switch</title>
		<link>http://architectures.danlockton.co.uk/2006/07/10/oh-yeah-that-windows-kill-switch/</link>
		<comments>http://architectures.danlockton.co.uk/2006/07/10/oh-yeah-that-windows-kill-switch/#comments</comments>
		<pubDate>Mon, 10 Jul 2006 18:46:19 +0000</pubDate>
		<dc:creator>Dan</dc:creator>
				<category><![CDATA[1984]]></category>
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		<guid isPermaLink="false">http://architectures.danlockton.co.uk/?p=89</guid>
		<description><![CDATA[I know the furore surrounding Microsoft&#8217;s &#8216;Windows Genuine Advantage&#8217; is a few days old, and perhaps I should have blogged about it at the time, specifically the rumoured &#8216;Kill Switch&#8217; which would remotely deactivate any PCs apparently running &#8216;non-genuine&#8217; copies of XP. That&#8217;s certainly a candidate for my feature deletion/external control category, as well as [...]]]></description>
			<content:encoded><![CDATA[<p>I know the <a href="http://www.technorati.com/search/Windows+AND+%28WGA%29">furore</a> surrounding Microsoft&#8217;s &#8216;Windows Genuine Advantage&#8217; is a few days old, and perhaps I should have blogged about it at the time, specifically the rumoured <a href="http://www.technorati.com/search/Windows+AND+Kill+AND+Switch+AND+WGA">&#8216;Kill Switch&#8217;</a> which would remotely deactivate any PCs apparently running &#8216;non-genuine&#8217; copies of XP. That&#8217;s certainly a candidate for my <a href="http://architectures.danlockton.co.uk/?page_id=17"><strong>feature deletion/external control</strong></a> category, as well as <a href="http://architectures.danlockton.co.uk/?p=40"><strong>treacherous computing</strong></a>, and ranks far more severely than, say, <a href="http://architectures.danlockton.co.uk/?p=34"><strong>removing mp3 capability</strong></a> from a phone after a mandatory upgrade.</p>
<p>Nevertheless, if WGA <em>does</em> have a kill switch, and does remotely kill off 50% of Windows&#8217; user base over night, that&#8217;s just going to be good news for GNU/Linux adoption, and Apple. There&#8217;s not going to be any perfect substitution, that every copied installation of Windows has lost Microsoft $xxx therefore by preventing those installations from working, Microsoft will recover $xxx from each user. Sure, they&#8217;ll make some more money, but the loss in goodwill will more than offset that. Vastly more than offset it.<br />
<span id="more-89"></span><br />
Anyway, I thought the following <a href="http://www.bambismusings.com/?p=419">post by LilBambi</a> had some great, succinct observations on this topic, plus the general &#8216;architectures of control&#8217; mindset and its implications for a free society: </p>
<blockquote><p>&#8220;Some have suggested that only those who are doing something wrong would worry about such things. To them I say, get a life! Either you are too young to know history and should start reading about history, or too foolish to think the transgressions of governments against citizens across time and countries wouldn’t be so much easier in such an environment. Freedom and liberty are not something that are given, they are earned and must be diligently maintained or they will be lost.</p>
<p>Until recent years, I have loved Windows, even Windows XP which many have a love/hate relationship with!</p>
<p>But no more … I really have had it with ‘copyright holders’ who think just because they made something that they can reach across a wire or the air to restrict what you do with what you buy or put whatever they want on your computer hardware (or make computer hardware that you pay for with disabling abilities in it that can be remotely disabled) just because you bought their hardware, OS, software, music or movie. This IS NOT what US copyright law or US patent law was supposed to do, nor what it was until Disney, Sonny Bono and the DMCA.</p>
<p>And just wait for Vista …. as the saying goes … you ain’t seen nuttin’ yet!</p>
<p>If you are not familiar with HDCP ['trusted'/treacherous computing], you should be….check out &#8230; <a href="http://www.atomicmpc.com.au/article.asp?SCID=14&#038;CIID=39170&#038;p=1">Understanding HDCP</a> for more on what’s coming to computer hardware, software and Vista…</p>
<p>The list of hardware vendors now supporting HDCP is staggering. They make it out to be some great thing, the greatest marketing ‘parlor trick’ of all time. But pretty soon there will be NO FAIR USE of what you buy, just as the entertainment and software/OS cartels have been drooling over and wanting all along.</p>
<p>BTW: There are also recent postings on Blu-Ray, HD DVD, Big Media, broadcast flags and the DMCA as well here on my blog and they all tie together to show how easy it will be to remove ALL fair use rights you have ever had and enforced by our own tax payer funded government.</p>
<p>And what happens when all the backbones in this country are on this new ‘restriction enabled’ hardware? Will the backbones be forced or unwittingly, or knowingly install the new enabler operating systems and software? Will there be new ways to constantly monitor users, restict access, create toll roads that the broadband providers want, suppress information, personal freedoms, freedom of the press and more? Will there even be a land of the free and home of the brave? Only time will tell. &#8220;</p></blockquote>
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		<title>ABC wants to disable fast-forwarding on digital video recorders</title>
		<link>http://architectures.danlockton.co.uk/2006/07/08/abc-wants-to-disable-fast-forwarding-on-digital-video-recorders/</link>
		<comments>http://architectures.danlockton.co.uk/2006/07/08/abc-wants-to-disable-fast-forwarding-on-digital-video-recorders/#comments</comments>
		<pubDate>Sat, 08 Jul 2006 18:01:14 +0000</pubDate>
		<dc:creator>Dan</dc:creator>
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		<category><![CDATA[Propaganda]]></category>
		<category><![CDATA[Rent-seeking]]></category>
		<category><![CDATA[Shopping]]></category>
		<category><![CDATA[Sneaky]]></category>
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		<guid isPermaLink="false">http://architectures.danlockton.co.uk/?p=85</guid>
		<description><![CDATA[Via BoingBoing: ABC Looks Beyond Upfront To DVR, Commercial Ratings Issues (needs you to sign in &#8211; use username &#8216;wasteoftime&#8217;, password &#8216;wasteoftime&#8217;): &#8220;ABC HAS HELD DISCUSSIONS ON the use of technology that would disable the fast-forward button on DVRs, according to ABC President of Advertising Sales Mike Shaw, with the primary goal to allow TV [...]]]></description>
			<content:encoded><![CDATA[<p>Via <a href="http://www.boingboing.net/2006/07/07/abc_wants_to_disable.html">BoingBoing</a>: </p>
<p><a href="http://publications.mediapost.com/index.cfm?fuseaction=Articles.showArticle&#038;art_aid=45264">ABC Looks Beyond Upfront To DVR, Commercial Ratings Issues</a> (needs you to sign in &#8211; use username &#8216;wasteoftime&#8217;, password &#8216;wasteoftime&#8217;):</p>
<blockquote><p>&#8220;ABC HAS HELD DISCUSSIONS ON the use of technology that would disable the fast-forward button on DVRs, according to ABC President of Advertising Sales Mike Shaw, with the primary goal to allow TV commercials to run as intended.</p>
<p>&#8230;</p>
<p>Shaw also threw cold water on the idea that neutering the fast-forward option would result in a consumer backlash. He suggested that consumers prefer DVRs for their ability to facilitate on-demand viewing and not ad-zapping&#8211;and <strong>consumers might warm to the idea that anytime viewing brings with it a tradeoff in the form of unavoidable commercial viewing.</strong></p>
<p>&#8220;I&#8217;m not so sure that the whole issue really is one of commercial avoidance,&#8221; Shaw said. &#8220;It really is a matter of convenience&#8211;so you don&#8217;t miss your favorite show. And quite frankly, we&#8217;re just training a new generation of viewers to skip commercials because they can. I&#8217;m not sure that the driving reason to get a DVR in the first place is just to skip commercials. I don&#8217;t fundamentally believe that. <strong>People can understand in order to have convenience and on-demand (options), that you can&#8217;t skip commercials.</strong>&#8220;</p></blockquote>
<p>It&#8217;s hardly worth commenting on this (without going off on a rant), except to note that <a href="http://architectures.danlockton.co.uk/?p=61"><strong>maybe he should be talking to Philips</strong></a>&#8230;</p>
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		<slash:comments>3</slash:comments>
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		<title>Neuros: &#8216;Freedom by Design&#8217;</title>
		<link>http://architectures.danlockton.co.uk/2006/07/05/neuros-freedom-by-design/</link>
		<comments>http://architectures.danlockton.co.uk/2006/07/05/neuros-freedom-by-design/#comments</comments>
		<pubDate>Wed, 05 Jul 2006 21:58:06 +0000</pubDate>
		<dc:creator>Dan</dc:creator>
				<category><![CDATA[Analog hole]]></category>
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		<guid isPermaLink="false">http://architectures.danlockton.co.uk/?p=84</guid>
		<description><![CDATA[Following on from the last post about the Neuros MPEG4 recorder, looking on the Neuros website reveals something pretty unusual for a company involved in consumer product design &#8211; a clear statement of design philosophy, &#8216;What do we stand for?&#8217; that&#8217;s heavy on content and light on vague rhetoric: &#8220;Your Digital Rights and Why They’re [...]]]></description>
			<content:encoded><![CDATA[<p>Following on from the last post about the <a href="http://architectures.danlockton.co.uk/?p=83"><strong>Neuros MPEG4 recorder</strong></a>, looking on the Neuros website reveals something pretty unusual for a company involved in consumer product design &#8211; a clear statement of design philosophy, <a href="http://www.neurosaudio.com/press/freedom.asp">&#8216;What do we stand for?&#8217;</a> that&#8217;s heavy on content and light on vague rhetoric:</p>
<blockquote><p>&#8220;<strong>Your Digital Rights and Why They’re Important to You</strong></p>
<p>Throughout the history of technology, Hollywood has fought innovation at every turn. Even technologies that benefit the studios, and that we take for granted, exist only because someone fought the studios for their very existence</p>
<p>&#8230; </p>
<p>The more such legislation [e.g. Analog Hole Bill] gets passed, the less innovation consumers will see, and the fewer options you will have for enjoying your content</p>
<p>&#8230;.</p>
<p>There are two opposing forces at odds here. On the one hand, there are exciting new technologies that offer more and more choices for consumers to access and enjoy digital media when and where they want it. On the other, there is Big Media and a few of its powerful allies working behind the scenes to limit consumer choices to when and where they want it. How this all plays out will depend on how the rest of us respond in the coming days, weeks and months.&#8221;</p></blockquote>
<p>The statement even exhorts customers to get involved with the <a href="http://www.eff.org/">EFF</a> and to get in touch with their elected representatives, which is again a great initiative. </p>
<p>This is just the kind of intelligent engagement by product designers &#038; engineers with the political implications of &#8211; and influences on &#8211; their work for which I&#8217;ve been looking throughout the &#8216;Architectures of Control&#8217; project. Whether it meets the kind of criteria proposed by Jennie Winhall&#8217;s &#8216;<a href="http://architectures.danlockton.co.uk/?p=63"><strong>Is Design Political?</strong></a>&#8216;, I don&#8217;t know, but by standing up for users&#8217; rights in such an open and frank way, and indeed structuring its business around that philosophy, Neuros seems a lot closer to real user-centred design than the <a href="http://chittahchattah.blogspot.com/2006/06/here-we-go-again-being-all-responsible.html">vague waffle </a>so often promulgated as such.</p>
<p>Impressive.</p>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
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		<title>EFF: Another Endangered Gizmo &#8211; the Neuros MPEG4 Recorder 2</title>
		<link>http://architectures.danlockton.co.uk/2006/07/05/eff-another-endangered-gizmo-the-neuros-mpeg4-recorder-2/</link>
		<comments>http://architectures.danlockton.co.uk/2006/07/05/eff-another-endangered-gizmo-the-neuros-mpeg4-recorder-2/#comments</comments>
		<pubDate>Wed, 05 Jul 2006 21:31:26 +0000</pubDate>
		<dc:creator>Dan</dc:creator>
				<category><![CDATA[Analog hole]]></category>
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		<guid isPermaLink="false">http://architectures.danlockton.co.uk/?p=83</guid>
		<description><![CDATA[Image adapted from Neuros website Via EFF DeepLinks, details of the Neuros MPEG4 Recorder 2, a product specifically designed to allow users to break through the arbitrary architectures of control imposed by other video devices and formats, and hence make the most of the content you own: &#8220;[It] digitizes analog video output and records it [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.danlockton.co.uk/research/images/neuros_1.gif" alt="Neuros diagram" /><br /><em>Image adapted from <a href="http://www.neurosaudio.com/store/product.asp?catalog%5Fname=DigitalInnovationsCatalog&#038;product%5Fid=4030200&#038;keyword=psp&#038;searchcat=products&#038;cookie%5Ftest=1">Neuros website</a></em></p>
<p>Via <a href="http://www.eff.org/deeplinks/archives/004778.php">EFF DeepLinks</a>, details of the Neuros MPEG4 Recorder 2, a product specifically designed to allow users to break through the arbitrary architectures of control imposed by other video devices and formats, and hence make the most of the content you own:</p>
<blockquote><p>&#8220;[It] digitizes analog video output and records it to a CF card or a memory stick in MPEG4 format. The video can then be put on your computer, burned to DVD, moved to your video iPod, or slotted right into your Sony PSP. You can also output video to a display device from the R2.</p>
<p>In turn, the R2 helps you make legitimate use of your media and lawfully escape DRM restrictions&#8230;</p>
<p>    * Free your recorded TV content: TiVo and other PVRs restrict moving recorded video to other devices. The DMCA limits removing these DRM locks, and, if the broadcast flag proposal passes, these restrictions will get even worse. Regardless, you can lawfully use the R2 to create a DRM-free copy, recording straight from your TV or TiVo.</p>
<p>    * Free your DVDs: DVD ripping software is widely available, but using it to rip a film to your computer and video iPod may violate the DMCA. The R2 gives you a legal (albeit more cumbersome) alternative. Similarly, though region-free DVD players are available, you can use the R2 to help create a region-free copy of the movie itself.</p>
<p>    * Free your VHS tapes: You&#8217;ve probably faced the unhappy choice between rebuying your VHS collection on DRM-restricted DVDs or lugging around a legacy player. The R2 helps you liberate your movies from their VHS chains.&#8221;</p></blockquote>
<p>Of course, the R2 device&#8217;s legality &#8211; as a video <a href="http://architectures.danlockton.co.uk/?page_id=5#analoguehole"><strong>analogue-to-digital converter</strong></a> &#8211; is threatened by proposed US legislation aimed at &#8216;<a href="http://architectures.danlockton.co.uk/?p=31"><strong>plugging the analogue hole</strong></a>&#8216;, hence its &#8216;<a href="http://www.eff.org/endangered/">endangered gizmo</a>&#8216; status applied by the Electronic Frontier Foundation. This would seem to be a case where a device really has been designed with the users&#8217; needs and convenience uppermost in mind, yet it may be ruled out of existence by a legislature which listens more to (certain) corporate lobbying than to its own citizens.</p>
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		<slash:comments>2</slash:comments>
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		<title>ZDNet: DRM train wrecks</title>
		<link>http://architectures.danlockton.co.uk/2006/05/31/zdnet-drm-train-wrecks/</link>
		<comments>http://architectures.danlockton.co.uk/2006/05/31/zdnet-drm-train-wrecks/#comments</comments>
		<pubDate>Wed, 31 May 2006 16:44:11 +0000</pubDate>
		<dc:creator>Dan</dc:creator>
				<category><![CDATA[Analog hole]]></category>
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		<guid isPermaLink="false">http://architectures.danlockton.co.uk/?p=74</guid>
		<description><![CDATA[ZDNet&#8217;s David Berlind has started to compile a Del.icio.us list of examples of &#8216;DRM train wrecks&#8217;, i.e. situations where the use of DRM has a distasteful corollary for consumers unaware of what they&#8217;re getting themselves into. &#8220;Most people don&#8217;t realize how much they&#8217;re giving up when they consciously or sub-consciously use solutions that depend on [...]]]></description>
			<content:encoded><![CDATA[<p>ZDNet&#8217;s <a href="http://blogs.zdnet.com/BTL/wp-trackback.php?p=3105">David Berlind</a> has started to compile a <a href="http://del.icio.us/tag/DRMtrainwrecks">Del.icio.us list of examples of &#8216;DRM train wrecks&#8217;</a>, i.e. situations where the use of DRM has a distasteful corollary for consumers unaware of what they&#8217;re getting themselves into.</p>
<blockquote><p>&#8220;Most people don&#8217;t realize how much they&#8217;re giving up when they consciously or sub-consciously use solutions that depend on [DRM]. I get a lot of email that accuses me of being a Chicken Little that overblows the situation by saying the sky is falling.  Well, the sky is falling and if those folks want to live in denial, that&#8217;s their problem.&#8221;</p></blockquote>
<p>Some of the examples are more straightforward cases of sloppily designed DRM implementations leading to security problems, such as the Sony Rootkit case; examples of &#8216;DRM switcheroo&#8217; (what I&#8217;ve previously called <strong><a href="http://architectures.danlockton.co.uk/?page_id=17">feature deletion</a></strong> or <strong>external control</strong> on this blog) also abound. </p>
<p>Real-life anecdotes of users who have lost all their (legally acquired) music due to DRM errors or licensing changes &#8211; as I discussed in &#8216;<a href="http://architectures.danlockton.co.uk/?page_id=16"><strong>Consumers&#8217; reactions to DRM</strong></a>&#8216; &#8211; are perhaps one of the best ways of driving the message home to consumers (for example the examples discussed <a href="http://blogs.zdnet.com/BTL/wp-trackback.php?p=3108">here</a>).</p>
<p>The &#8216;DRM train wreck&#8217; tag is a great initiative. I guess in time it would be good if DRM&#8217;d content acquired a stigma from consumers&#8217; point of view, clearly seen as undesirable and worse than second-best, a format to avoid.</p>
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		<slash:comments>1</slash:comments>
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		<title>BBC: Bram Cohen on network neutrality</title>
		<link>http://architectures.danlockton.co.uk/2006/05/31/bbc-bram-cohen-on-network-neutrality/</link>
		<comments>http://architectures.danlockton.co.uk/2006/05/31/bbc-bram-cohen-on-network-neutrality/#comments</comments>
		<pubDate>Wed, 31 May 2006 11:39:59 +0000</pubDate>
		<dc:creator>Dan</dc:creator>
				<category><![CDATA[1984]]></category>
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		<guid isPermaLink="false">http://architectures.danlockton.co.uk/?p=73</guid>
		<description><![CDATA[This BBC Newsnight story, by Adam Livingstone, about the possibilities of a two-tier internet &#8211; &#8216;BitTorrent: Shedding no tiers&#8217; &#8211; has an interesting fictional &#8216;architectures of control&#8217; example to illustrate the possibilities of price discrimination in networks (see also Control &#038; Networks): &#8220;So there&#8217;s me driving up to Homebase&#8230; and I get to within half [...]]]></description>
			<content:encoded><![CDATA[<p>This BBC <em>Newsnight </em>story, by Adam Livingstone, about the possibilities of a two-tier internet &#8211; <a href="http://news.bbc.co.uk/1/hi/programmes/newsnight/5017542.stm">&#8216;BitTorrent: Shedding no tiers&#8217;</a> &#8211; has an interesting fictional &#8216;architectures of control&#8217; example to illustrate the possibilities of price discrimination in networks (see also <strong><a href="http://architectures.danlockton.co.uk/?page_id=12">Control &#038; Networks</a></strong>):</p>
<blockquote><p>&#8220;So there&#8217;s me driving up to Homebase&#8230; and I get to within half a mile of the store and my car starts to slow down.</p>
<p>Before I know it, I&#8217;m doing five miles an hour. What&#8217;s more, half the other cars around me are doing the same. But the cars on the other side of the road are all fine. So I turn round and head home and suddenly it&#8217;s all back to normal. &#8220;What on earth is going on?&#8221; as our man Paxman would say.</p>
<p>&#8220;It&#8217;s simple&#8221; said the grease monkey at my local garage. &#8220;The people who made your car have done a deal with B&#038;Q. They&#8217;ve fixed it so that if you ever drive towards Homebase, you&#8217;ll start going at 5 miles an hour.&#8221;</p>
<p><span id="more-73"></span><br />
<strong>Network neutrality</strong></p>
<p>Alert readers among you might observe that I&#8217;m talking rubbish, and, despite this being the BBC, I must admit I made the whole incident up. But imagine if such a thing were possible. How happy would you be if you were on the receiving end? Which brings us to the principle of network neutrality.&#8221;
</p></blockquote>
<p>The article goes on to describe a new Cachelogic BitTorrent system to allow faster downloads of material approved (&#038; controlled) by media companies:</p>
<blockquote><p>&#8220;Cachelogic are offering a series of data stores strategically placed around the Internet which the new BitTorrent system talks to. Whenever they see a commercially approved BitTorrent, they make a copy of the data.</p>
<p>The next time someone on the Internet requests that [sic] data, it comes not from the original sender but from the Cachelogic store, only this time massively accelerated.</p>
<p>You can see where this is going. The companies who subscribe to the service will see their data race down the toll roads much faster than everyone else&#8217;s can travel. What then for network neutrality?</p>
<p>We asked Bram about network neutrality&#8230; Does the Cachelogic proposal violate network neutrality? &#8220;Depending on how you define net neutrality that violates some definitions of it,&#8221; says Cohen.&#8221;</p></blockquote>
<p>Without knowing more about the system I&#8217;m not sure what my reaction should be, since this is not quite the same as an actual &#8216;two-tier internet&#8217;, merely (perhaps) the equivalent of putting in faster servers for particular material. It is, then, changing the architecture of the system, but not in a way that forces users to behave in a particular manner. </p>
<p>You can bet, however, that the material that is distributed via the system will be heavily DRM&#8217;d and restricted, possibly requiring a new download (+ fee) each time. If that means a massive increase in network traffic, and that slows down the connections of users who aren&#8217;t participating in the service, then, yes, it is an architecture of control. It&#8217;s making it easier/less hassle just to go with the flow and learn to love big brother, since that&#8217;s the only way you can get fast downloads.</p>
<p>Any thoughts?</p>
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