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Broadcast flag

Following on from the last post about the Neuros MPEG4 recorder, looking on the Neuros website reveals something pretty unusual for a company involved in consumer product design – a clear statement of design philosophy, ‘What do we stand for?’ that’s heavy on content and light on vague rhetoric:

Your Digital Rights and Why They’re Important to You

Throughout the history of technology, Hollywood has fought innovation at every turn. Even technologies that benefit the studios, and that we take for granted, exist only because someone fought the studios for their very existence

The more such legislation [e.g. Analog Hole Bill] gets passed, the less innovation consumers will see, and the fewer options you will have for enjoying your content

….

There are two opposing forces at odds here. On the one hand, there are exciting new technologies that offer more and more choices for consumers to access and enjoy digital media when and where they want it. On the other, there is Big Media and a few of its powerful allies working behind the scenes to limit consumer choices to when and where they want it. How this all plays out will depend on how the rest of us respond in the coming days, weeks and months.”

The statement even exhorts customers to get involved with the EFF and to get in touch with their elected representatives, which is again a great initiative.

This is just the kind of intelligent engagement by product designers & engineers with the political implications of – and influences on – their work for which I’ve been looking throughout the ‘Architectures of Control’ project. Whether it meets the kind of criteria proposed by Jennie Winhall’s ‘Is Design Political?‘, I don’t know, but by standing up for users’ rights in such an open and frank way, and indeed structuring its business around that philosophy, Neuros seems a lot closer to real user-centred design than the vague waffle so often promulgated as such.

Impressive.

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Neuros diagram
Image adapted from Neuros website

Via EFF DeepLinks, details of the Neuros MPEG4 Recorder 2, a product specifically designed to allow users to break through the arbitrary architectures of control imposed by other video devices and formats, and hence make the most of the content you own:

“[It] digitizes analog video output and records it to a CF card or a memory stick in MPEG4 format. The video can then be put on your computer, burned to DVD, moved to your video iPod, or slotted right into your Sony PSP. You can also output video to a display device from the R2.

In turn, the R2 helps you make legitimate use of your media and lawfully escape DRM restrictions…

* Free your recorded TV content: TiVo and other PVRs restrict moving recorded video to other devices. The DMCA limits removing these DRM locks, and, if the broadcast flag proposal passes, these restrictions will get even worse. Regardless, you can lawfully use the R2 to create a DRM-free copy, recording straight from your TV or TiVo.

* Free your DVDs: DVD ripping software is widely available, but using it to rip a film to your computer and video iPod may violate the DMCA. The R2 gives you a legal (albeit more cumbersome) alternative. Similarly, though region-free DVD players are available, you can use the R2 to help create a region-free copy of the movie itself.

* Free your VHS tapes: You’ve probably faced the unhappy choice between rebuying your VHS collection on DRM-restricted DVDs or lugging around a legacy player. The R2 helps you liberate your movies from their VHS chains.”

Of course, the R2 device’s legality – as a video analogue-to-digital converter – is threatened by proposed US legislation aimed at ‘plugging the analogue hole‘, hence its ‘endangered gizmo‘ status applied by the Electronic Frontier Foundation. This would seem to be a case where a device really has been designed with the users’ needs and convenience uppermost in mind, yet it may be ruled out of existence by a legislature which listens more to (certain) corporate lobbying than to its own citizens.

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ZDNet’s David Berlind has started to compile a Del.icio.us list of examples of ‘DRM train wrecks’, i.e. situations where the use of DRM has a distasteful corollary for consumers unaware of what they’re getting themselves into.

“Most people don’t realize how much they’re giving up when they consciously or sub-consciously use solutions that depend on [DRM]. I get a lot of email that accuses me of being a Chicken Little that overblows the situation by saying the sky is falling. Well, the sky is falling and if those folks want to live in denial, that’s their problem.”

Some of the examples are more straightforward cases of sloppily designed DRM implementations leading to security problems, such as the Sony Rootkit case; examples of ‘DRM switcheroo’ (what I’ve previously called feature deletion or external control on this blog) also abound.

Real-life anecdotes of users who have lost all their (legally acquired) music due to DRM errors or licensing changes – as I discussed in ‘Consumers’ reactions to DRM‘ – are perhaps one of the best ways of driving the message home to consumers (for example the examples discussed here).

The ‘DRM train wreck’ tag is a great initiative. I guess in time it would be good if DRM’d content acquired a stigma from consumers’ point of view, clearly seen as undesirable and worse than second-best, a format to avoid.

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This BBC Newsnight story, by Adam Livingstone, about the possibilities of a two-tier internet – ‘BitTorrent: Shedding no tiers’ – has an interesting fictional ‘architectures of control’ example to illustrate the possibilities of price discrimination in networks (see also Control & Networks):

“So there’s me driving up to Homebase… and I get to within half a mile of the store and my car starts to slow down.

Before I know it, I’m doing five miles an hour. What’s more, half the other cars around me are doing the same. But the cars on the other side of the road are all fine. So I turn round and head home and suddenly it’s all back to normal. “What on earth is going on?” as our man Paxman would say.

“It’s simple” said the grease monkey at my local garage. “The people who made your car have done a deal with B&Q. They’ve fixed it so that if you ever drive towards Homebase, you’ll start going at 5 miles an hour.”

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