Mosquito controversy goes high-profile

Mosquito - image from Compound Security

The Mosquito anti-teenager sound device, which we’ve covered on this site a few times, was yesterday heavily criticised by the Children’s Commissioner for England, Sir Albert Aynsley-Green, launching the BUZZ OFF campaign in conjunction with Liberty and the National Youth Agency: Buzz Off logo

Makers and users of ultra-sonic dispersal devices are being told to “Buzz Off” today by campaigners who say the device, which emits a high-pitched sound that targets under 25 year olds, is not a fair or reasonable solution for tackling anti-social behaviour. The campaign… is calling for the end to the use of ultra-sonic dispersal device. There are estimated to be 3,500 used across the country.

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Normalising paranoia


This is brilliant. Chloë Coulson, Erland Banggren and Ben Williams, three Ravensbourne graduates, have put together a project looking at the “culture of fear”, the media’s use of this, and how it affects our everyday state of mind.

The outcome is a catalogue, WellBeings™ [PDF link] accompanying a specially printed newspaper, The Messenger, designed to be used with special rose-tinted spectacles - simple, yet very clever:

Feeling brave? Read the paper as usual. Feeling fragile? Put on the rose-tinted spectacles to block out the bad news stories which are printed in the same hue as the lenses so it becomes invisible.

The products in the catalogue cater for people made increasingly paranoid by aspects of modern society, by ‘normalising’ paranoia - ranging from H-ear-Phones which allow you to hear what others are saying about you, to Rear-View Mirror spectacles to allow you to keep an eye on who might be following you. As Chloë puts it:

The whole project is about questioning attitudes - should we live in fear - are we safer that way, or should we live for now and not worry about what could happen.

There are also a couple of products in there which are actually defensive weapons - a pepper spray disguised as a perfume atomiser, and house-key-cum-knuckleduster, and these seem to go beyond mere paranoia. All of these products are very plausible, and indeed, some of them are probably commercially viable. Whilst none of these is an architecture of control as such, I felt that they deserved inclusion here - pertinent to the sousveillance discussion, and also the idea of users turning products against instrusive aspects of society, from relatively simple items such as the Knee Defender (prevent the person in front of you on an aircraft reclining his or her seat) to Limor Fried’s Design Noir work on using electronic devices to create social defence mechanisms.

Equally - while perhaps not the focus of the project - the rose-tinted spectacles idea parallels closely the phenomenon of increasing self-selection of the news we expose ourselves to, as the internet and hundreds of TV channels allow segmentation like never before. The idea of a newspaper bringing readers only ‘good’ news has been tried a number of times (a recent example one-off) and has inspired some interesting pieces, but modern media permits many more coloured filters than simply rose-tinting. Clearly, to a large extent, deliberate use of this segmentation can permit intentional reinforcement, entrenchment, even inspiration of certain views and behaviours. Self-selected exposure to propaganda is a curious phenomenon, but one with enormous power.

Smile, you’re on Countermanded Camera

IDPS : Miquel Mora
Image from Miquel Mora’s website

We’ve looked before at a number of technologies and products aimed at ‘preventing’ photography and image recording in some way, from censoring photographs of ‘copyrighted content’ and banknotes, to Georgia Tech’s CCD-flooding system.

Usually these systems are about locking out the public, or removing freedoms in some way (a lot of organisations seem to fear photography), but a few ‘fightback’ devices have been produced, aiming to empower the individual against others (e.g. Hewlett-Packard’s ‘paparazzi-proof’ camera) or against authority (e.g. the Backflash system intended to render a car number plate unreadable when photographed by a speed camera). The field of sousveillance - lots of interesting articles by Régine Debatty here - is also a ‘fightback’ in a parallel vein.

Taking the fightback idea further, into the realms of everyware, Miquel Mora’s IDentity Protection System, shown last month at the RCA’s Great Exhibition (many thanks to Katrin Svabo Bech for the tip-off), aims to offer the individual a way to control how his or her image is recorded - again, Régine from We Make Money Not Art:

With IDPS (IDentity Protection System), interaction designer Miquel Mora is proposing a new way to protect our visual identity from the invasion of ubiquitous surveillance cameras. He had a heap of green stickers that could stick to your jacket. Or anywhere else. The sticker blurred your image on the video screen.

“With the IDPS project I wanted to sparkle [sic.] debate about all the issues related to identity privacy,” explains Miquel. “Make people think about how our society has become a complete surveillance machine. Our identities have already been stored as data in many servers ready to be tracked. And our self image is our last resort. So we really need tools to protect our privacy. We need tools that can allow us to hide or reveal our visual image. We must have the control over it.”

“For example in one scenario a girl is wearing a tooth jewellery with IDPS technology embedded. So when she smiles she reveals it and it triggers the camera to protect her. With IDPS users can always feel comfortable, knowing that with a simple gesture like smiling, they are in control. The IDPS technology could be embedded in all kind of items, from simple badges to clothes or jewellery. For the working prototype I’m using Processing to track the stickers and pixelate the image around when it founds one.”

IDPS : Miquel Mora
Image from Miquel Mora’s website

While the use of stickers or similar tags (why not RFID?) which can be embedded in items such as jewellery is a very neat idea aesthetically, I am not sure what economic/legal incentive would drive CCTV operators or manufacturers to include something such as IDPS in their systems and respect the wishes of users. CCTV operators generally do not want anyone to be able to exclude him or herself from being monitored and recorded, whether that’s by wearing a hoodie or a smart black hat with maroon ribbon. Or indeed a veil of some kind.

Something which actively fought back against unwanted CCTV or other surveillance intrusion, such as reversing the Georgia Tech system in some way (e.g. detecting the CCD of a digital security camera, and sending a laser to blind it temporarily, or perhaps some kind of UV strobe) would perhaps be more likely to ’succeed’, although I’m not sure how legal it would be. Still, with RCA-quality interaction designers homing in on these kinds of issues, I think we’re going to see some very interesting concepts and solutions in the years ahead…

Process friction

WD-40

Koranteng Ofosu-Amaah kindly sent me a link to this article by Ben Hyde:

I once had a web product that failed big-time. A major contributor to that failure was tedium of getting new users through the sign-up process. Each screen they had to step triggered the lost of 10 to 20% of the users. Reducing the friction of that process was key to survival. It is a thousand times easier to get a cell phone or a credit card than it is to get a passport or a learner’s permit. That wasn’t the case two decades ago.

Public health experts have done a lot of work over the decades to create barrier between the public and dangerous items and to lower barriers to access to constructive ones. So we make it harder to get liquor, and easier to get condoms. Traffic calming techniques are another example of engineering that makes makes a system run more slowly.

I find these attempts to shift the temperature of entire systems fascinating. This is at the heart of what you’re doing when you write standards, but it’s entirely scale free… In the sphere of internet identity it is particularly puzzling how two countervailing forces are at work. One trying to raise the friction and one trying to lower it. Privacy and security advocates are attempting to lower the temp and increase the friction. On the other hand there are those who seek in the solution to the internet identity problem a way to raise the temperature and lower the friction. That more rather than less transactions would take place.

The idea of ‘process friction’ which is especially pertinent as applied to architectures of control. Simply, if you design a process to be difficult to carry out, fewer people will complete it, since - just as with frictional forces in a mechanical system - energy (whether real or metaphorical) is lost by the user at each stage.

This is perhaps obvious, but is a good way to think about systems which are designed to prevent users carrying out certain tasks which might otherwise be easy - from copying music or video files, to sleeping on a park bench. Just as friction (brakes) can stop or slow down a car which would naturally roll down a hill under the force of gravity, so friction (DRM, or other architectures of control) attempts to stop or slow down the tendency for information to be copied, or for people to do what they do naturally. Sometimes the intention is actually to stop the proscribed behaviour (e.g. an anti-sit device); other times the intention is to force users to slow down or think about what they’re doing.

From a designer’s point of view, there are far more examples where reducing friction in a process is more important than introducing it deliberately. In a sense, is this what usability is?. Affordances are more valuable than disaffordances, hence the comparative rarity of architectures of control in design, but also why they stand out so much as frustrating or irritating.

The term cognitive friction is more specific than general ‘process friction’, but still very much relevant - as explained on the Cognitive Friction blog:

Cognitive Friction is a term first used by Alan Cooper in his book The Inmates are Running the Asylum, where he defines it like this:

“It is the resistance encountered by a human intellect when it engages with a complex system of rules that change as the problem permutes.”

In other words, when our tools manifest complex behaviour that does not fit our expectations, the result can be very frustrating.

Going back to the Ben Hyde article, the use of the temperature descriptions is interesting - he equates cooling with increasing the friction, making it more difficult to get things done (similarly to the idea of chilling effects), whereas my instinctive reaction would be the opposite (heat is often energy lost due to friction, hence a ‘hot’ system, rather than a cold system, is one more likely to have excessive friction in it - I see many architectures of control as, essentially, wasting human effort and creating entropy).

But I can see the other view equally well: after all, lubricating oils work better when warmed to reduce their viscosity, and ‘cold welds’ are an important subject of tribological research. Perhaps the best way to look at it is that, just as getting into a shower that’s too hot or too cold is uncomfortable, so a system which is not at the expected ‘temperature’ is also uncomfortable for the user.

“You do not enumerate the freedoms you want”

'V' sign and hand in Englefield Green, Surrey

Crosbie Fitch, in the Atom feed summary for this post looking at how ‘freedom’ can and should be defined, says:

You see copyright’s suspension of your freedom to perform particular activities, and so for each activity you demand a specific freedom. This is how the GPL arose.
This is an inverted perspective from which to define ‘free culture’ (and free software).
To define freedom you define its constraints – you do not enumerate the freedoms you want.
This is because freedom is what we start off with in the first place. We constrain it to make it better. It is when we under or over-constrain it that we make it worse.

It’s the “To define freedom you define its constraints – you do not enumerate the freedoms you want” which especially stands out to me. This seems such an important principle, yet one which so many politicians entirely ignore when they talk about their commitments to ‘human rights’.

Am I being overly simplistic to equate this to the contrast between a ‘planned’ society - where everything is banned unless specifically permitted in an enumerated list of freedoms - and an ‘evolving’ society - where everything is permitted unless specifically banned? (Also: how does the contrast between codified Roman law and ‘evolving’ common law compare to this?)

Whatever the political and legal comparisons might be, the principle is certainly pertinent to the rise of architectures of control in technology. Up until just a few years ago, most technology was effectively ‘open’, assuming you could get hold of it. All of us had freedom to do what we wanted with it - take it apart, modify it, repurpose it, improve it, break it, even if the originators had never expressly intended anything like this, and even if it were ‘illegal’. Now, though, we have (some) technology into which intentions can be codified. We have products with hyper-restrictive End-User Licence Agreements which we must accept before we use them, and which can report back if we don’t abide by them. We have products which are intended to provide one-function-and-nothing-but-that-function, and are designed to frustrate or punish users who try anything different. We have politicians seeking to specify exactly what technology can and can’t do. How do I know what freedoms I want until I’ve experimented? How can I even explain them until I’ve experienced them? Should the progress of tomorrow really be shackled by registering as law the prejudices and errors of today?

Of course, in the context of this blog, I’m merely striking the key-note once again, and that can make for a very dull tune. But that phrase, “you do not enumerate the freedoms you want,” will stay with me. It’s important.