The Mosquito anti-teenager sound device, which we’ve covered on this site a few times, was yesterday heavily criticised by the Children’s Commissioner for England, Sir Albert Aynsley-Green, launching the BUZZ OFF campaign in conjunction with Liberty and the National Youth Agency:
Makers and users of ultra-sonic dispersal devices are being told to “Buzz Off” today by campaigners who say the device, which emits a high-pitched sound that targets under 25 year olds, is not a fair or reasonable solution for tackling anti-social behaviour. The campaign… is calling for the end to the use of ultra-sonic dispersal device. There are estimated to be 3,500 used across the country.
In a similar vein to a recent mention of a Verizon trick which attempts to force the user to use an expensive data service to check e-mail, rather than the free built-in WiFi, Uninnovate discusses the (Sprint) LG Fusic which not only disables on-phone features such as MP3 playback when no coverage is available, but also has no way for users to opt out of (or reverse) firmware updates, even when they cause the phone to become inoperable.
The Mosquito sound has been mixed (sort of) into a dance track:
“…the sound is being used in a dance track, Buzzin’, with secret melodies only young ears can hear.
Simon Morris from Compound Security said: “Following the success of the ringtone, a lot of people were asking us to do a bit more, so we got together with the producers Melodi and they came up with a full-length track.
“It has two harmonies – one that everyone can hear and one that only young people can hear.
“But it works well together or separate,” he added.”
There’s a clip linked from the BBC story, or here directly (WMV format). Can’t say the “secret melodies” are especially exciting (and yes, I can hear it!) but I suppose it’s a clever idea. There could be some interesting steganographic possibilities, and indeed it could be used for ‘cheating in tests’ as Jason Thomas puts it here.
This is the same Simon Morris who’s quoted in an earlier BBC story as saying that teenagers (in general) don’t have a right “to congregate for no specific purpose”, so it’s interesting to see him getting involved with young peoples’ music. Nevertheless, I can see the dilemma that Compound Security are in: they’ve created something designed to be unpleasant for teenagers, but are also capitalising on its potential appeal to teenagers. It’s clever, if rather inconsistent branding practice.
This is the first book review I’ve done on this blog, though it won’t be the last. In a sense, this is less of a conventional review than an attempt to discuss some of the ideas in the book, and synthesise them with points that have been raised by the examination of architectures of control: what can we learn from the arguments outlined in the book?
Adam Greenfield‘s Everyware: The dawning age of ubiquitous computing looks at the possibilities, opportunities and issues posed by the embedding of networked computing power and information processing in the environment, from the clichÃ©d ‘rooms that recognise you and adapt to your preferences’ to surveillance systems linking databases to track people’s behaviour with unprecedented precision. Read More
A few days ago, Tim Quinn of Dangerous Curve posted an interesting observation on the Simple Control in Products page:
“This may not be what you had in mind, but I immediately thought of such things as toothpaste pumps that ‘meter’ use to insure the product will be used up quickly at a rate higher than needed. That made me think of the older method of training consumers to over-use. Typified, once again, by toothpaste, with ads which show a brush topped by a generous glop of paste that is far more than necessary to do the job. This strays a bit more from your topic but it could fall under the design for control heading.”
This is definitely a phenomenon worth exploring further, since it’s part of our everyday experience, right under our noses, yet we may not be conscious of it. It’s at the intersection of advertising, marketing and product design, with particular applicability to fast-moving consumer goods. Read More
They’re back up (well, the wave files anyway), thanks to the Internet Archive.