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Specious arguments

The Mosquito sound has been mixed (sort of) into a dance track:

“…the sound is being used in a dance track, Buzzin’, with secret melodies only young ears can hear.

Simon Morris from Compound Security said: “Following the success of the ringtone, a lot of people were asking us to do a bit more, so we got together with the producers Melodi and they came up with a full-length track.

“It has two harmonies – one that everyone can hear and one that only young people can hear.

“But it works well together or separate,” he added.”

There’s a clip linked from the BBC story, or here directly (WMV format). Can’t say the “secret melodies” are especially exciting (and yes, I can hear it!) but I suppose it’s a clever idea. There could be some interesting steganographic possibilities, and indeed it could be used for ‘cheating in tests’ as Jason Thomas puts it here.

This is the same Simon Morris who’s quoted in an earlier BBC story as saying that teenagers (in general) don’t have a right “to congregate for no specific purpose”, so it’s interesting to see him getting involved with young peoples’ music. Nevertheless, I can see the dilemma that Compound Security are in: they’ve created something designed to be unpleasant for teenagers, but are also capitalising on its potential appeal to teenagers. It’s clever, if rather inconsistent branding practice.

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RED talk, Design Council. Photo by Kate Andrews
Photo by Kate Andrews

I’ve blogged before mentioning the work of the UK Design Council’s RED research arm, which applies ‘design thinking’ to redevelop and create public services appropriate for societal changes right now and in the years to come. The previous post was specifically about Jennie Winhall’s ‘Is design political?’ essay, but I’ve kept in touch with RED’s work and was very interested to attend RED’s Open House last Friday, along with Katrin Svabo Bech and Kate Andrews.

The presentation, by Jennie Winhall, Chris Vanstone* and Matthew Horne, introduced the Kitchen Cabinet (democratic engagement) and Activmobs projects, along with a brief discussion of the concept of shaping behaviour through design, which is of course of significant pertinence to the ‘architectures of control’ idea (as it is indeed to captology).

(Sadly, there was apparently not time to give any more than a cursory treatment of RED’s Transformation Design concept [PDF link, 193 kb], which re-casts design thinking as the cross-disciplinary approach for problem-solving in a great variety of disciplines. The paper leads with a great quote from Charles Eames: “More than 30 years ago, Charles Eames, the American multidisciplinary designer, was asked, ‘What are the boundaries of design?’. He replied, ‘What are the boundaries of problems?’”. I was especially looking forward to a discussion on transformation design, as my hunch is that many of us who’ve chosen to go into design (and engineering) have realised and appreciated this for a long time – indeed, it may even be the reason why we went into it: a desire to acquire the tools to shape, change and improve the world – but that by expressing it explicitly, RED has a great chance to win the understanding of a political establishment and general public who still often equate design with styling and little more. But I digress…)

Jennie Winhall’s discussion of shaping behaviour through design was a clear exposition of the principle that empowering people to change their own behaviour ought to be more preferable than forcing them to change their behaviour externally. Traditional policy-making fails in this context: it is easier to put in CCTV than to solve the underlying casuses of crime; it is easier to fund more obesity treatment than it is to tackle poor diet in the first place (the phrase ‘symptom doctor’ was not used, but it might have been). Describing the idea of manipulating behaviour through design as being slightly ‘sinister’, Jennie noted that it has been used in a commercial context for many years (it was one of those talks where I was almost bursting to interrupt with actual examples discussed on this website, though I didn’t!), but, as Oxford’s Lucy Kimbell pointed out, there is not necessarily an easy way to apply the techniques in a field where the aims are less well-defined (“social good” as opposed to “money”):

“But the outcomes of public service designs are complex. RED sees value in making use of design methods used in Marks & Spencer, for example, to make the consuming experience “compelling and desirable” and applying them to public service contexts. In the M&S context, the use of these methods may well have a clear, measurable business objective: increasing sales, for example – and even here design practitioners may well struggle with framing the design problem, communicating with the client, and measuring the value of the design process and artefacts. How much harder it is to define and agree goals for public services or public goods?”

Looking at the politically motivated examples of architectures of control which I’ve examined over the last couple of years, I’d say a significant percentage of them are designed with the goal of stamping out a particular type of behaviour, usually classed as anti-social and usually extremely contentious: this really is social engineering. The success of skateboarding ‘deterrents’ is measured by how few children skateboard in an area. The success of the Mosquito is measured by how few children congregate in an area. The success of park benches with central armrests is measured by how there are no longer people lying down on them. The “woollier” behaviour-shaping architectures of control, such as Square Eyes or the Entertrainer are very much edging towards captology, and perhaps these examples are closer to RED’s field of experience.

WorldChanging also has a discussion of the RED Open House presentation.

*Speaking to us individually, Chris Vanstone used “stick, carrot or speedometer” as a way of classifying design methods for behavioural change, and I think this is worthy of a separate post, as this is an extremely insightful way of looking at these issues from an interaction design point of view.

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Chapter 4 from Lawrence Lessig's 'Code and Other Laws of Cyberspace'

Welcome, readers from Metafilter and del.icio.us.

One point raised in the Metafilter discussion is whether the term ‘architectures of control’ is a sensible one for this phenomenon, and whether ‘architectures of control in design’ is a good title for the blog. I understand the issue; it’s something (clearly) I considered at length when starting my research. It’s not an especially succinct title, and the use of the ‘architectures’ term is potentially a source of confusion (or irritation) if the link between the design of environments and the design of products and systems is not fully appreciated:

“Architecture is the design and construction of buildings… The noun is never pluralized, nor ever used as a verb, gag, except by the designers of computer software and hardware who needed to appropriate the term because they wanted to make their jobs sound more impressive. This kind of business school speak – always reaching for the most portentous word available when a simple one would do the job just fine – drives me nuts. That is one reason I have difficulty with the title of his blog.
The second is that it is a redundancy: Design of control in design.”

First time I’ve ever been accused of business school speak! But the term ‘architectures of control’ has been in reasonably wide use for a while before my research; from my own point of view, I originally borrowed it from chapter 4 of Lessig’s Code & Other Laws of Cyberspace, as the central thesis here is pretty much that Lessig’s ‘code is law’ principle – relating specifically to the way the internet is structured – applies equally to any product, system or environment with which a user interacts. Anything can be designed to enforce and restrict behaviour. Applying programming analogies to hardware, or architectural analogies to software, or other combinations, can be a useful way of allowing different disciplines to understand each other. Or so it would be nice to think!

But is there a better term than ‘architectures of control’? I’m completely open to suggestions.

Update (19th Sept): The term apparently has enough currency for eBay affiliates to buy Google Adwords using it, e.g.

Buy Architectures of Control on eBay!

…but then they’re not always noted for the most sensible key-phrase choices!

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A playground somewhere near the Barbican, London. Note the sinister 'D37IL' nameplate on the engine

Josie Appleton, at the always-interesting Spiked, takes a look at the increasing systemic hostility towards ‘young people in public places’ in the UK: ‘When did ‘hanging around’ become a social problem?’

As well as the Mosquito, much covered on this site (all posts; try out high frequency sounds for yourself), the article mentions the use of certain music publicly broadcast for the same ‘dispersal’ purpose:

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A CD with its functionality destroyed using GHz-range radio frequencies

Via Dave Farber’s Interesting People, a brief New Scientist article outlines Sony’s continuing obsession with restricting and controlling its customers (the last one didn’t go too well):

“A patent filed by Sony last week suggests it may once again be considering preventing consumers making “too many” back-up copies of its CDs…

Sony’s latest idea is to place a piece of monitoring hardware inside the CD. Its patent suggests embedding a radio-frequency ID chip that could be interrogated wirelessly by a PC or CD player. The chip would record the number of times the disc was copied and prevent further recordings once it reached the limit. The device could also be fitted to DVDs. Whether Sony will turn the patent idea into reality remains to be seen.”

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RFID Velcro?

At Freedom to Tinker, Ed Felten has posted a summary of a talk he gave at the Usenix Security Symposium, called “DRM Wars: The Next Generation”. The two installments so far (Part 1, Part 2) trace a possible trend in the (stated) intentions of DRM’s proponents, from it being largely promoted as a tool to help enforce copyright law (and defeat ‘illegal pirates’) to the current stirrings of DRM’s being explicitly acknowledged as a tool to facilitate discrimination and lock-in — and the apparent ‘benefits of this’:

“First, they argue that DRM enables price discrimination — business models that charge different customers different prices for a product — and that price discrimination benefits society, at least sometimes. Second, they argue that DRM helps platform developers lock in their customers, as Apple has done with its iPod/iTunes products, and that lock-in increases the incentive to develop platforms.

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